As a cinematographer with several decades of experience on feature films and large broadcast projects, my current work on smaller productions and documentaries has increasingly added the duties of a sound recordist, and with it a greater appreciation for 32-bit float recording.
Heartland Video Systems (HVS), a premier video systems integration and consulting firm, announces that our ATSC 3.0 expert team has assisted New Mexico PBS (NMPBS) to optimize their existing ATSC 3.0 over-the-air (OTA) signal with Advanced Emergency Information (AEI) / Advanced Emergency Alert (AEA) capability. In addition, HVS supplied NMPBS the necessary equipment for the country’s very first ATSC 3.0 translator that works in conjunction with their existing ATSC 3.0 facility.
The Blackmagic 2110 IP UpDownCross 12G is a new standards converter for live production and broadcast that lets customers convert between any SD, HD or Ultra HD video format via 12G-SDI, HDMI and SMPTE-2110 IP video connections. This new converter has a rack mount design with a front panel LCD for video and audio monitoring plus menus.
Blackmagic Design announce ATEM 4 M/E Constellation 4K Plus, a massive sized Ultra HD switcher with 80 standard converted 12G-SDI inputs and 48 independent 12G-SDI outputs. This new model is twice the size of our current largest 4 M/E model and it also includes 16 ATEM Advanced Chroma Keyers, 4 Ultra HD media players, 4 independent Ultra HD multi-views, 2 SuperSource processors and more.
Here we look at the science of using a matched pair of microphones positioned as a coincident pair to capture stereo sound images.
Blackmagic Design announce Blackmagic PYXIS 12K, a new digital film camera that features a revolutionary 12K RGBW sensor in the versatile PYXIS camera design! This new model features the same sensor as URSA Cine 12K LF with a massive 16 stops of dynamic range along with dual CFexpress media recorders, 10G Ethernet and Blackmagic Cloud global sync, all in a customizable body. Blackmagic PYXIS 12K is available in three models, with customers able to choose between L-Mount, PL or Locking EF lens mounts.
Ross Video has introduced Carbonite HyperMax, a flexible and powerful platform for production switching, routing, video and audio processing, multiviewer monitoring, and ultra-high-resolution video compositing.
Networks, by their very definition are dispersed. But some are more dispersed than others, especially when we look at the challenges multi-site and remote teams face.
