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Panasonic has validated the Matrox Monarch EDGE D4 decoder with its AW-UE100 and AW-UE150 PTZ cameras for 4K remote production workflows.
Timing accuracy has been a fundamental component of broadcast infrastructures for as long as we’ve transmitted television pictures and sound. The time invariant nature of frame sampling still requires us to provide timing references with sub microsecond accuracy.
Live event production house CP Communications has been helping events and live programmers cater for drastic changes in spectrum reallocations in the USA towards mobile operators.
Grass Valley, in partnership with the Telos Alliance, is releasing Telos Infinity VIP (Virtual Intercom Platform) on GV AMPP (Agile Media Processing Platform), a professional intercom solution for cloud-based media production workflows.
TVU Networks, a Shanghai based provider of cloud and IP-based live video technology, has expanded its relationship with Somoy TV, a 24-hour news channel in Bangladesh.
Dialogue is king in television. Let’s face it, you don’t watch an episode of your favorite police procedural or reality show just to listen to the sound design or the incidental music. But whether the content is scripted or unscripted, delivering intelligible dialogue can be a real challenge for the show’s mixer.
The bi-colour Blender XL puts out a tunable narrow flood beam—up to four times the brightness of a traditional 1x1 panel light.
For the past year an international group of technology companies, funded by the European Union (EU), has been looking into the use of 5G technology to streamline live and studio production in the hopes of distributing more content to (and from) viewers faster and more efficiently. Due to the restrictions imposed because of the coronavirus, most of the work thus far has been completed remotely.
