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The focus of much of the latest broadcast TV R&D is the Remote Integration Model (REMI). From millions of Skype meetings over consumer ISPs to the recent Winter Olympics TV broadcasts, REMI is significantly changing the internal dynamics of live, between-the-glass, remote TV production and viewing.
CreamOS 1.2.0 is a firmware update for its Creamsource’s Vortex8 650W 2’x1’ LED fixture. It introduces a FrameSync function which enables in-camera effects for directors, DPs and gaffers.
Having looked at how microphones are supposed to work, here we see that what happens in practice isn’t quite the same because the ideal and the actual are somewhat different.
Television is still a niche industry, but nonetheless, one of the most powerful storytelling mediums in existence. Whether reporting news events, delivering educational seminars, or product reviews, television still outperforms all other mediums in terms of its ability to communicate to mass audiences.
_460_307_70.jpg "DoP Toby Oliver ACS using the Sony VENICE on The Dollhouse feature Seriously Red.")
Rental companies Lemac in Australia and ImageZone in New Zealand talk about how DPs are using Sony Venice.
VA has become one of the first rental houses in Australia to purchase a full set of FUJIFILM’s FUIJINON Premista 19-45mm T2.9, 28-100mm T2.9 and 80-250mm T2.9-3.5 full-frame, wide-angle zoom lenses.
_460_345_70.jpg "LiveU’s IP video solutions set stage for biggest live event in the history of Rocket Beans TV.")
LiveU’s mobile broadcasting solutions have enabled an ambitious multi-cam live production that was managed by Rocket Beans Entertainment GmbH as part of the annual gamescom industry show.
While the merits of 8K delivery is being debated by broadcasters around the world, some are moving forward with plans to deploy the high resolution quality in creative ways that engage viewers and encourage them to interact with a live broadcast.
