Mark Roberts Motion Control (MRMC), a Nikon company, is to showcase the new Studiobot LT for broadcast workflows, as well as the Cinebot range for cinematography for the first time at the show.
Built in 1967, the Congress Hall in Saarbrücken/Germany is home to a range of a broad variety of events such as conferences, trade fairs and conventions as well as shows and concerts of all kinds, some of which are also broadcast on radio and television by public broadcaster Saarländischer Rundfunk (SR).
In part one, we saw how virtualization is nothing new and that we rely on it to understand and interact with the world. In this second part, we will see how new developments like the cloud and Video Over IP have allowed us to abstract the conceptual parts of a broadcast infrastructure and spread them across the world. And when we do this, the possibilities don’t just add together; they multiply.
Live production expert Actua Sport has again turned to LiveU’s innovative IP-video EcoSystem to enhance its live sports coverage, this time at the European Athletics Championships, which took place in Rome, June 7-12.
This Essential Guide explores the technology of LED wall displays for virtual production. It discusses fundamental requirements and the relationships between the LED wall and the other equipment required for virtual production techniques.
Shotoku brings new features to IBC 2024 that enable ‘best-of-all worlds’ with heightened automation, easy navigation, and future-thinking functionality.
Videosys Broadcast’s camera control and RF over fibre solutions help viewers enjoy an exceptional summer of sport.
Intended for quick mounting on round, omnidirectional headset or lavalier microphones between 0.1-0.23 inches (2.5-5.8mm), the AIR1 excels in challenging outdoor environments. Its groundbreaking, patent-pending design guarantees highly efficient and consistent wind protection with unrivaled acoustic transparency that solves all wind-related challenges of using a miniature microphone during outdoor performances.
