The proliferation of consumer devices and the different formats they adopt, is making the broadcast production and delivery chain more complex… time to explore the Audio Definition Model and new emerging standards.
Riedel Communications has partnered with BAPS Swaminarayan Akshardham, recognized as the third largest Hindu temple in the world and the largest in the U.S., to implement a cutting-edge media and communications infrastructure.
Why moving from SDR to HDR production pipelines requires a carefully crafted approach to monitoring.
The evolution of large sensor cameras has spanned both cinema and broadcast production, with much of the innovation driven by practical operability and integration challenges for creatives across both fields.
This is part 1 of a unique reference resource for production companies or teams preparing to package and deliver assets to broadcasters & streamers. It gathers the published content delivery specifications from the DPP, Netflix, Apple TV+, NABA, The BBC and others and details the required specifications for assets, metadata, video & audio formats, rights management, subtitling, localization, content sensitivity and more.
Riedel Communications proudly served as the official partner for the Rhine-Ruhr 2025 FISU World University Games, delivering a comprehensive Managed Technology service spanning communications and network infrastructure for all event venues and the International Broadcast Center (IBC). The Riedel team ensured seamless connectivity and flawless coordination across one of the largest multisport events of the year, including the spectacular opening and closing ceremonies.
Welcome to Part 4 of ‘Live Sports Production’ - This multi-part series uses a round table style format to explore the technology of live sports production with some of the industry’s leading broadcast engineers. It is a fascinating insight into what is being done every day around the world.
Part 4, delivered here, moves on to discuss the array of specialist cameras required for many sports along with the systems required to support them. It also delves into the world of audio, looking at the modern Audio Control Room in the context of distributed production models and how microphone selection and the skills of an expert audio engineer remain the foundations of the fine art of audio acquisition.
Latency has always been a fact of life in broadcast infrastructure. It is something for operators to learn to adjust to and for engineering to effectively manage… but is it more of a challenge in remote production models?
