Swiss broadcast service provider brutal güet has launched a state-of-the-art outside broadcast vehicle built entirely around IP-based workflows powered by Lawo’s AoIP infrastructure. The OB truck was designed, integrated, and project-managed by German system integrator Broadcast Solutions.
Welcome to Part 2 of our multi-part series on Big Chip Cameras For Broadcast - This series examines the growing demand for cinematic aesthetics in broadcast, the role of large sensor camera technology in delivering them, and the technical and creative challenges it presents.
Asking what’s in an audio control room (ACR) these days is more of a philosophical question than it is a practical one. What exactly does the ACR look like in a modern broadcast environment? More fundamentally, where on earth is it and how is it accessed?
European cultural broadcaster ARTE has strengthened its long-standing relationship with Grass Valley, selecting the company’s LDX 135 cameras and Creative Grading solution as part of its move from SDI/1080i to a native IP-based 1080p production infrastructure with UHD capability.
Heartland Video Systems (HVS), a premier video systems integration, consulting, and expert ATSC 3.0 implementation firm announces that it has partnered with Zixi for enabling broadcast quality live video delivery over any IP network. This partnership allows customers to have HVS engineer and deploy resilient IP connectivity solutions for any IT environment.
The University of Arizona (UofA) has significantly upgraded its broadcast communication infrastructure with the integration of Riedel Communications’ advanced intercom technologies.
Welcome to part 2 of this unique reference resource for production companies or teams preparing to package and deliver assets to broadcasters & streamers. It gathers the published content delivery specifications from the DPP, Netflix, Apple TV+, NABA, The BBC and others and details the required specifications for assets, metadata, video & audio formats, rights management, subtitling, localization, content sensitivity and more.
RMC BFM, part of the CMA-CGM Group and France’s third-largest private media group, has chosen Grass Valley’s production switcher and multiviewer solutions to drive its move from SDI/HD to SMPTE ST 2110 IP and UHD workflows.
