For editors, production and post technology will be the focus of their interests at 2017 NAB.

It pops up randomly — ruining otherwise excellent audio takes and often leaving the sound operator perplexed as to the cause. Hiss is an enemy we all fight at various times, especially on video shoots. How can hiss in audio be prevented in the first place?

Television pundits have been claiming the death knell for television has been ringing for years. Yet, new research from Vimeo indicates that the future of video is already here and that OTT (over-the-top) streaming video is how video content is now shared, viewed by ever larger audiences.

ATSC 3.0 proponents continue to remind the industry of coming new capabilities, opportunities and advantages. Yet, the consumer electronics industry remains quiet on implementing such features in new consumer televisions and related products. This article reviews the options and benefits 3.0 offers, and compares this with the emerging 5G technology.

Digital Audio Workstations (DAWs) are now everywhere — ranging in cost from free of charge to the sky is the limit. But which DAW is right for your application? It can be a difficult question, especially because cost has little to do with the right choice. Here are some thoughts on the subject of DAWs.

FOX Sports provided the world wide English telecast of the 2018 FIFA World Cup games, but their Watson super computer built your own highlight reels just for you.

Blind people consume as much video programming as do sighted people. In recent years, the FCC has actively increased audio description requirements through the CVAA (21st Century Communications and Video Accessibility Act). Broadcasters are required to provide audio descriptions for certain content. Here is what you need to know.

The EBU (European Broadcasting Union) has published a guide to help members understand Augmented Reality and the associated opportunities for developing more immersive content.

Release of the AV1 codec from the Alliance for Open Media (AOM) in March 2018 was supposed to mark the start of a heated battle with the H.265 (HEVC) codec for supremacy in the converging world of video entertainment, but for the time being they are more likely to coexist relatively peacefully in parallel universes.

Cloud video encoding and workflows is growing by almost every measure. To quantify such changes, Encoding.com, completed and just released a survey, which provides a snapshot of the media's use of cloud processing.