The ACC Network, America’s last over-the-air regional sports broadcaster, relies on Avid post equipment at Raycom Sports to service 90 different stations.
Calling all video editors. This week we showcase two articles on cloud-based production workflows. If you are involved in bringing content to life, these two articles will help you decide if a cloud-based solution might be for you. Part one of the series reviews the underlying technology of Avid’s MediaCentral | Cloud UX. Part two reveals how dock10 in MediaCity UK uses remote editing and server-based production storage to rapidly turn around content from remote sites—all without having a massive crew and expensive technology on site.
If UHD is going to become a mainstream broadcast medium, we’ll need to be able to monitor, edit and review it. But can we?
With ATSC 3.0 poised to change the broadcast industry’s basic signal, we need to understand this signal is poised between HD and true 4K.
AlphaDogs is one of the west coast’s premiere post houses, but even they find the prospect of creating UHD projects challenging.
Sunday evening and night a team of content creators frenetically working for the Recording Academy taped IBM Watson Media’s cloud-based AI capabilities to improve their digital production workflows while creating content for the 2018 Grammy telecast on the CBS network. The software-based services helped the production teams working behind the scenes to engage viewers online at grammy.com/watson.
Blackmagic Design An innovator in the design and manufacture of creative technology for feature film, post production,
Avid The world's leading provider of audio and video technology for media organizations and independe