Recent Content

Ross Video booked twice as many product demontrations as last year.

Ross Video is “Living Live” at NAB 2019 May 12th 2019 - 11:00 AM

The Ross Video exhibit at the NAB Show 2019 was packed with visitors because they had so many product lines introducing so many new products.

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The Blackmagic Design exhibit traditionally welcomes you to the South Hall lower

Blackmagic Design at NAB 2019 May 6th 2019 - 09:00 AM

From an 8K switcher to a new 4.6K camera, you could hardly get through the packed Blackmagic Design exhibit to see its most talked about excitement, the new DaVinci Resolve 16.

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Timeline services operating in Bimini Bahamas for BBC Planet Blue series,

Timeline Supports BBC’s Blue Planet Live Production April 17th 2019 - 09:00 AM

Timeline is supplying technical broadcast facilities for BBC’s Blue Planet Live. Broadcasting live from three different locations across the planet: Baja, Mexico; the Bahamas; and Australia’s Great Barrier Reef.

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ATEM Constellation

Blackmagic Design’s 8K Switcher And Recorder April 15th 2019 - 11:30 AM

Blackmagic made several significant product announcements that set the stage for future industry technological advances in 8K.

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With a built-in H.264 encoder, the integrated JVC Studio 6000S system supports up to 1080p streaming at up to 10 Mbps.

JVC Reveals Integrated Live Production And Streaming System at NAB April 14th 2019 - 11:00 AM

At the 2019 NAB Show, JVC Professional Video debuted a compact all-in-one live production and streaming system designed for sports and other live events. The company calls its new Connected Cam Studio 6000S a “self-contained control room” that features a production switcher with six IP inputs that support the NDI and SRT (Secure Reliable Transport) streaming protocols.

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An EVS Dyvi switcher was used for Season 1 of ABC’s “American Idol” to manage the millions of LED pixels used on set live.

How Live Production Benefits From Software-Defined Switching April 4th 2019 - 09:15 AM

As the myriad of live competition television shows continue to attract new and ever larger audiences for TV networks, producing them live has become so complicated that a second technical director (TD), often called a “screens TD,” is now often being employed in concert with the lighting department’s graphics server operator and create the look of the LED video tile-intensive sets. Most stages feature literally millions of LED pixels and lighting rig configurations that adorn the brilliantly lit sets so it takes a “screens team” along with the LED tech responsible to manage the actual LED tiles.

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