Recent Content

In its Prime.

Pixel Power Adds StreamMaster PRIME To Graphics And Playout Range September 17th 2020 - 01:00 PM

StreamMaster PRIME provides simple replacement for graphics, thematic channel playout and master control devices.

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The M-KEY app is a building block towards making IP and mixed IP/SDI systems.

Crystal Vision’s Linear Keyer Works With IP And SDI September 15th 2020 - 12:05 PM

Crystal Vision has released the M-KEY linear keyer that works with IP (SMPTE ST 2022 and ST 2110 video), with SDI or with both IP and SDI at the same time.

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Creative Analysis - Part 6 - The Middle Man With DOP John Christian Rosenlund September 9th 2020 - 09:00 AM

Director of photography John Christian Rosenlund has at least a three-decade history with director Bent Hamer. Their most recent collaboration, The Middle Man, depicts a town in the northern United States during a post-industrial depression. It’s perhaps not a subject instinctively associated with Rosenlund and Hamer’s Norwegian roots, though when we learn that the production is based on a book by Norwegian author Lars Saabye Christensen, the link becomes clear.

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DOPs & Post Production: Is This Our New Livelihood? September 7th 2020 - 09:00 AM

Before pandemics and the downsizing at traditional, broadcast news operations, many news and non-fiction DOPs were already assuming a significant role in post-production. Whereas frame rates, f-stops, and the character of our lenses, once formed the backbone of our expertise and practice, DOPs in the non-theatrical realm increasingly find ourselves in a different kind of ditty bag, as correspondent, writer, director, and ersatz editor – all rolled into a one-person-can-do-anything-and-everything mode.

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HDR - Part 13 - Cameras And The Zero-Sum Game August 31st 2020 - 09:00 AM

For a long time, selecting camera gear has been fairly easy. For twenty years, digital cinema cameras have never quite had everything we wanted, and the choice often boiled down to comparing the compromises. That’ll always be true to a degree, but for the last year or two it’s felt like we’re arriving somewhere. We can’t have anything, but we can have more than enough, and those compromises are boiling down to a zero-sum game.

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Creative Analysis - Part 5 - Video Displays With Markus Förderer August 24th 2020 - 09:00 AM

It’s perhaps a little unfair to blame modern visual effects people for the fact that audiences are becoming a little jaded about green screen. If we’re to conclude that there’s some sort of quality problem with VFX, we’d need to be sure that we were noticing each and every use, so we know how big the sample is. Many of the applications of VFX, in modern movies, are actually comparatively simple fixes or paint-outs of inappropriate details that nobody ever notices – the boom reflected in a window, the anachronistic sign in a period piece. If we’re not aware of these VFX, they can’t really be objectionable, and we have no idea what proportion of VFX are actually a problem.

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