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A few years ago, a prominent manufacturer of studio support equipment did something unusual: it went to NAB with an experienced broadcast camera operator to discuss a part of live production that’s invisible when done well. Following a driven golf ball is one of the trickiest tasks in any branch of film and TV, demanding not only skill but equipment which allows people to exhibit that skill.
New features include comprehensive diagnostics, X-keys configuration, and advanced chroma keying.
Move aims to simplify sports broadcast graphics production.
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Singular.live has new customisable graphics featuring a dynamic mobile-friendly interface.
Maxon, a provider of software for motion graphics, visual effects and visualization based in Friedrichsdorf, Germany, has lined up speakers across the content creative world with expertise in its Cinema 4D package for its own virtual October 3D and Motion Design Show.
In the previous article in this two-part series we looked at how cloud systems are empowering storytellers to convey their message and communicate with viewers. In this article we investigate further the advantages for production and creative teams.
It’s traditional for film and TV technical journalists to play soothsayer in the run-up to major industry events. With NAB and Cine Gear virtual this year and the world’s manufacturers having enjoyed an unprecedented stretch of downtime to hatch their next technological plots, the temptation to speculate has never been greater.
APTN used Polygon solutions for its news coverage of the Canadian Election. This includes the company’s data aggregation and visualization platform Ipsum, which aggregates data from the Canadian press and distributes it in real-time to APTN’s Vizrt newsroom graphics templates, PCR playout and ticker Viz Engines.
