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The techniques of 35mm film are seductively simple. The process is the same no matter what the camera in use, or how the film will be cut. Conversely, every digital camera might have its own ways of approaching different parts of the process, creating a forest of terminology – gamma, gamut, subsampling – that’s easily mistaken. Let’s follow a picture from the sensor to the recorded file and figure out exactly what all this means.
Chyron’s PRIME VSAR merges the cutting-edge graphics of Epic Games’ Unreal Engine 4 with Chyron’s built-for-broadcast design, editorial, and live production capabilities to radically simplify virtual production.
Flowics experts were on hand at the recent IBC 2022 exhibition to show broadcasters of all kinds how simple it is to create engaging on-air graphics and interactive content with Flowics and how easily the Flowics platform fits into their workflow.
Brainstorm has announced more advanced developments for XR production, along with new features and applications for Edison, using NVIDIA GPU technology.
Capturing the essence of a location in a single shot or series of shots can present a range of challenges for the itinerant DOP.
Brainstorm announces EdisonGO, a straight-forward, simple-to-use smartphone application that seeks to revolutionize camera tracking in non-professional environments.
Much of the attention enjoyed by virtual production currently goes to the spectacular stages with LED displays the size of half a dozen cinema screens. The material we put on those displays, though, can come from a number of places, and anyone putting together a virtual shoot will quickly encounter some subtleties that can make life easier – or, if mishandled, a lot harder.
Zero Density will give showgoers a sneak peek into new products at this year’s IBC show. This includes previews of RealityHub 1.4 – a universal control UI that lets broadcasters control virtual studios from a web browser – and Reality 5, real-time virtual studio and AR/XR platform based on Unreal Engine 5.
