Try our new AI powered Smart-Search!
The power of television graphics to support visual storytelling in news and sports has been evolving for decades - going from simple on-screen titles, to lower third tickertape messaging and on to today’s stunning use of 3D augmented reality (AR) for sponsors, and to relay unique information. Better storytelling keeps viewers across multiple media consumption platforms more engaged and continually coming back for more.
This is a more comprehensive list of the AES Standards & Recommended Practices, AES Information Documents and AES Project Reports.
Chyron has announced the release of PAINT 9.6, the newest iteration of the company’s renowned telestrated replay and sports analysis software. A wealth of updates in PAINT 9.6 enable even more flexible and dynamic sports analysis live on air, with tracked and tuned telestration clips and richer effects, plus UI and workflow enhancements that support a faster and more streamlined sportscasting workflow.
Huw Bevan is an Executive Producer, Consultant and Head of Cricket for Sunset+Vine, in London, one of the UK’s leading independent sports production companies that produces a full slate of rugby, soccer and cricket events each year. This interview with him brings insight into the role of the creative project manager and its crucial place in the techniques and technology of live sports broadcast production.
This article describes the various codecs in common use and their symbiotic relationship to the media container files which are essential when it comes to packaging the resulting content for storage or delivery.
This is a list of the commonly used media container file formats, their owners and the dates when they were created.
This is a list of the abbreviations for media container files which are commonly used within documentation.
This list of file container formats and their extensions is not exhaustive but it does describe the important ones whose standards are in everyday use in a broadcasting environment.