Previously a basic record/play system using a hard drive was considered. This relied on a table linking time codes in the recording with physical addresses so that the drive would access audio data blocks in the right sequence slightly ahead of when they were needed. In that way a time base corrector could present the samples in an unbroken sequence at the correct sampling rate to a DAC. The mechanical timescale of a legacy medium such as tape or film has been replaced by a logical timescale.
Genelec is marking the 15th anniversary of its much-loved GLM loudspeaker manager software with the introduction of GLM 4.1, which is compatible with all Genelec Smart Active Monitors and Subwoofers.
To get the best out of a microphone it is important to understand how it differs from the human ear.
KRK announces the expansion of its CLASSIC line of studio monitors with the addition of 7- and 8-inch models. Incorporating over 30 years of innovation, KRK’s CLASSIC product range was designed using concepts from the brand’s previous ROKIT lines to deliver the same high-quality mixes that customers have come to expect from KRK at a lower price-point.
The random-access characteristic of the disk drive made it attractive for audio editing purposes and when drive prices fell as computers became popular the attraction was even stronger.
In real systems the issue of sampling rate conversion arises frequently but fortunately there are plenty of solutions.
