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Audio For Broadcast - The Book gathers together 16 articles into a 78 page eBook which explores the science and practical applications of audio in broadcast.
This book is not aimed at audio A1’s, it is intended as a reference resource for the ‘all-rounder’ engineers and operators who encounter and must deal with audio on a day-to-day basis but who are not audio specialists… and everyone who wants to broaden their knowledge of how audio for broadcast works.
We examine the demands placed on hybrid, distributed comms systems and the practical requirements for connectivity, transport and functionality.
This article describes the various AES, MPEG, Proprietary and Open Standards that pertain to audio.
This is a more comprehensive list of the AES Standards & Recommended Practices, AES Information Documents and AES Project Reports.
The team at NFL Media share invaluable insight into the truly huge AoIP comms system at their Hollywood Park production center.
As broadcast production begins to leverage cloud-native production systems, and re-examines how it approaches timing to achieve that potential, audio and its requirement for very low latency remains one of the key challenges.
The Applied Psychoacoustics Lab (APL) at the UK’s University of Huddersfield is an experimental hub created to advance our knowledge of the mechanism of human auditory experience, and provides perceptually-motivated solutions to audio engineering problems. Opened in 2013, its critical listening room has always relied on Genelec, and a recent upgrade to Genelec’s ‘The Ones’ Smart Active Monitors is supporting further advances in research.
This article describes the various codecs in common use and their symbiotic relationship to the media container files which are essential when it comes to packaging the resulting content for storage or delivery.