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We examine the demands placed on hybrid, distributed comms systems and the practical requirements for connectivity, transport and functionality.
Audio For Broadcast - The Book gathers together 16 articles into a 78 page eBook which explores the science and practical applications of audio in broadcast.
This book is not aimed at audio A1’s, it is intended as a reference resource for the ‘all-rounder’ engineers and operators who encounter and must deal with audio on a day-to-day basis but who are not audio specialists… and everyone who wants to broaden their knowledge of how audio for broadcast works.
At the NAB Show 2024 you can discover how these decades of experience are brought to bear across the company’s solution portfolio, driven by customer needs.
This article describes the various AES, MPEG, Proprietary and Open Standards that pertain to audio.
This is a more comprehensive list of the AES Standards & Recommended Practices, AES Information Documents and AES Project Reports.
The team at NFL Media share invaluable insight into the truly huge AoIP comms system at their Hollywood Park production center.
Huw Bevan is an Executive Producer, Consultant and Head of Cricket for Sunset+Vine, in London, one of the UK’s leading independent sports production companies that produces a full slate of rugby, soccer and cricket events each year. This interview with him brings insight into the role of the creative project manager and its crucial place in the techniques and technology of live sports broadcast production.
As broadcast production begins to leverage cloud-native production systems, and re-examines how it approaches timing to achieve that potential, audio and its requirement for very low latency remains one of the key challenges.