Protecting media systems from hacking, malware and viruses are genuine concerns to every broadcast and production facility engineer. Unfortunately, antimalware protection software is seldom used on audio and video media systems because the two technologies often prove incompatible.
“May you live in interesting times.” The expression suggests there is more than one interpretation of the word interesting. There can be no doubt that the media industry is living in those interesting times as it tries to navigate its way through a radical change in the way media is del…
One of the best low-cost support rigs for small video cameras is the monopod with a small stabilizer tripod base. These are incredibly light in weight, easy to travel with and offer videographers some interesting tricks. One of those is whip pan and snap focus.
Since the recent series of fires caused by lithium ion batteries, video crews need to be aware of what types of batteries they can and cannot fly with. The Federal Aviation Administration has published some guidelines on the legality of batteries. Here is a quick update.
Audio is arguably the most complex aspect of broadcast television. The human auditory systems are extremely sensitive to distortion and noise. For IT engineers to progress in broadcast television they must understand the sampling rates and formats of sound, and in this article, we delve into digital audio.
Over-the-top (OTT) video is increasingly challenging the traditional broadcast model with added convenience in terms of both user experience and reach. Thanks to a growth rate ten times that of traditional TV, OTT already accounts for 15 percent of total industry revenues and is projected to approach one-third of the market…
Virtually every audio engineer experiences ground loop noise at some point in their working career. It can be caused by many things and happens at the least expected times. Here’s a guide to what causes ground loops and how to get rid of them.
Timing is the most fundamental aspect of broadcast television. From the early days of tube cameras, to modern OLED displays, timing continues to play a crucial role for maintaining an optimal viewer experience. Picture stutter and breakup are just a few of the symptoms of synchronization and timing errors.
Part One of this two-part series explored the various layers and protocols of ATSC 3.0 that broadcasters must understand to take full advantage of the opportunities available through the technology. This second and final installment explores best practices for signal verification and compliance across the ATSC 3.0 ecosystem.
Working with older storage technology, here we mean small gauge film, is a challenge requiring special techniques. In this concluding segment of a three-part series, we examine image quality differences that may result in when transferring Super 8 and 8mm film to video.
