In principle, IP systems for broadcasting should not differ from those for IT. However, as we have seen in the previous nineteen articles in this series, reliably distributing video and audio is highly reliant on accurate timing. In this article, we investigate the key components needed to build a reliable…
As broadcasters accelerate IP migration we must move from a position of theory to that of practical application. Whether we’re building a greenfield site or transitioning through a hybrid solution, simply changing SDI components with analogous IP replacements will not achieve full COT’s goals and the benefits associated wit…
Today’s video production has gotten smaller, cheaper and faster paced. Crews with extensive resources are shrinking with more set-ups done each day. Yet, with the cumulative cost of location shoots, the pressure remains on crew members to get it right the first time.
Because we experience the world in three-dimensional sound, why shouldn’t we always choose a stereo over a mono microphone for a video camera? The question sounds like a no brainer, but stereo audio is not always the right choice in video production.
Moving from the luxury of dedicated point-to-point connectivity in favor of asynchronous, shared, and unpredictable IP networks may seem like we’re making life unnecessarily difficult for ourselves. However, there are compelling reasons to make the transition to IP. In this article, we look at the primary motivation for moving t…
The SMPTE (Society of Motion Picture and Television Engineers) has responded to demand for faster development of key standards aligned with emerging business processes by establishing its Technical Specification process.
Audio can be edited these days on virtually any personal computer. Professionals, however, need to understand storage drives in order to get the best results. Here’s what to look for when buying drives for audio editing.
Before we entered the world of file-based digital recording, planning storage needs for audio was simple. We’d simply buy enough audio tape to cover the recording time and then record the sound. In the world of analog, we knew a seven-inch tape reel at 7-1/2 ips lasted 33 minutes, while a…
Everyone knows what standards converters do, right? Broadcast professionals recognize that changing the video format and frame rate is necessary when sharing materials internationally or when integrating movies into TV schedules. In fact, there are many types of standards conversion available. Here is a guide to understanding the options.
Innovation in the media and entertainment industry is at an all-time high with devices, backend technologies, operating systems and consumer behaviors constantly evolving. A key element of this evolution is how viewers see, experience, navigate and consume the content they want. Which is why delivering an effective user interface (UI)…
