How Picking the Right Case can be Essential to the Video Workflow

Normally, we don’t think of video cases or bags as having to do with the workflow. But, in the field, dragging around a case that’s too heavy or doesn’t contain all the necessary gear can slow down a shoot. Here’s how to match the bag with the kind of shoot you are doing.

The most important role of a video case or bag is to protect your equipment while traveling to and from the location and giving you a convenient work base once there. Of course, this leads to many questions about how and what you shoot. A news crew that travels the globe is very different from a crew that operates out of a car or a one-man band who has to carry all of his gear all the time.

Bags and cases are available from dozens of vendors in many shapes and sizes. It is so personalized, each crew must make an individual decision. There are literally hundreds of choices that can be made — ranging from heavy Anvil industrial cases for large-scale video productions to single Domke over-the-shoulder bags for individual shooters.

Protection of the gear has long been considered the #1 objective, but in more recent years — as camera gear has gotten smaller — layout of the gear in the case has gained additional importance with users. Once the shoot begins, all the gear needs to be easily, logically and quickly assessable.

Think Tank Photo’s Video Transport 20 Rolling Case ($429.75) is a good example of the modern video case for small, high-end cameras, such the RED Epic or Scarlet, the Canon C-Series, Sony FS and F series, BlackMagic Design Ursa and Ursa Mini and the Panasonic GH-4. This case not only holds the camera body, but can handle four to six detached lenses, a small monitor, a 4K recorder, an audio recorder, shotgun microphone, a 17-inch laptop and cables and accessories.

Interior of Think Tank case

Interior of Think Tank case

With this Think Tank case, it is not only easy to work with the gear on location, but the case was designed for carry-on compatibility on airplanes, as well as working out of cars. The customizable interior allows users to get the maximum amount of video gear in a case 14 inches wide, 22 inches high and nine inches deep. It weighs about 13 pounds unloaded.

The Think Tank case has ABS twinwall-reinforced side walls that provides superior impact protection and heavily cushioned bolsters and three-layer interior lining that cradles the gear. This type of soft case, available from several case manufacturers, including LoweproTenba and Manfrotto is the ideal type of combo storage for both local and out-of-town shooting with compact pro gear.

Pelican case with Think Tank interior.

Pelican case with Think Tank interior.

Also, another similar type of case is the rolling hard case. Think Tank has teamed with Pelican to create lighter weight hard cases with ultra-high impact copolymer using Think Tank’s interior layout. Other manufacturers of hard cases include HPRCSKB and Porta-Brace, which use foam that can be altered to fit individual pieces of gear.

For an over-the-shoulder bag for one-man-bands, one has only to look back to the roots of still photography. For more than 30 years, I’ve used the Domke F-2 bag ($150) for still cameras. Now I use it for video. None of my video gear from the early days would fit this bag. Today’s video cameras fit perfectly.

Jim Domke

Jim Domke

For years Jim Domke, a news photographer, worked to design the perfect shoulder bag for still photographers. “I was creating the ideal bag for the working pro — a bag you could work out of, not just stuff equipment into,” Domke recalled. The bag’s use for video cameras was entirely an accident, he said, laughing.

Made with movable folding padded inserts with Velcro strips for creating different numbers and sizes of compartments, the original Domke bag was made of rugged canvas with sail thread stitching. The bag was an instant success with photographers and has survived through the years. Since Tiffen bought the brand, the bag had been redefined, though the original still is made.

Domke F-2 bag

Domke F-2 bag

The Domke F-2 remains my bag of choice for one-man video shoots. It’s an old friend that just works. I have found nothing better.

Choosing the right bag and case for your video gear boils down to size, workload and accessibility. Durability and dependability also matters. Layout on the ground matters. Choose the bag or case to fit the job and your crew’s workflow will be enhanced.

You might also like...

Video Batteries - Keys to Top Performance

As any photographer or camera assistant will confess, a dead or dying battery during production quickly becomes a crisis. To avoid the predicament and maintain top performance from your kit of batteries here are some tips.

2017: A Major Trend Toward Miniaturization

When I look back on 2017, one word jumps out when I think of audio, video and associated gear: Miniaturization. Yes, everything — and I mean virtually all of it — is getting smaller, lighter and more compact while the quality gets better.

How to Choose Cases to Protect Your Equipment

Most of us don’t think about cases for equipment until something valuable is broken. Then, faced with what can be a significant financial loss, we think about protecting gear — both while traveling and using it on location. Surprisingly, choosing the…

Windscreens for TV Newsgathering

Like most everything else these days, microphone wind protection has become a complex subject. There are many variations of wind protection equipment now on the market and some of it costs more than the microphones themselves. Guidance may be necessary…

Apogee Announces Update to MetaRecorder

Apogee has announced MetaRecorder Version 2.0, the first two-channel audio recording app for iPhone, iPad and iPod Touch to offer multi-take recording, tagging and file organization for any field recording scenario.