“Agility and flexibility” are the mantra of the new broadcast paradigm. Audio has always been the trailblazer for new technology, it was first to go IP and first to provide software solutions. But where is the next generation of audio taking us?
Under the mantra, “Rethink, Reinvent, Repeat”, Avid made good on past promises, improved new systems, and showcased the new Media Composer at the Saturday NAB 2019 press conference.
Aveco’s automation technology will be used for three terrestrial television channels (Telemetro, RPC TV and Oye TV) and four cable television channels (ECO TV, Mall TV, Cable Onda Sports and Cable Onda Sports FC).
IP has now come of age and many broadcasters are looking to transition to ST2110. The Broadcast Bridge has been championing IP education and in this unprecedented IP seminar they have brought together leading industry experts to deliver an in-depth case-study of the world’s leading ST2110 IP installation at
As broadcasters continue to successfully migrate video and audio to IP, attention soon turns to control, interoperability, and interconnectivity to improve reliability and efficiency. In this article, we investigate IP control as we move to IP infrastructures.
“More video content is viewed today than ever before, but with more devices, more choice, more platforms and a fragmented viewing market, how does a content owner use MAM and IMF to improve their business?”
Traditionally, most video content teams operated within a well-defined and narrow scope. Also, the tools, data and processes used were siloed within their organizations. But such a solution is no longer sufficient to manage today’s multichannel distribution workflows.
The City of Kissimmee, located in central Florida, operates a 24-hour government TV channel, Access Osceola, which is supported by four AW-HN130 three-chip HD PTZ cameras and two AU-EVA1 5.7K handheld cinema cameras. The city has recently added Panasonic’s new AV-HLC100 Stream Studio for a wide range of video p
