Try our new AI powered Smart-Search!
Building upon the existing signal generation function which was added to Bridge Technologies’ VB440 probe in 2022, the company has announced that the probe can now also generate up to 64 channels of audio signal, thus allowing remote production teams to test the network links of both their visual and audio apparatus without ever needing to unpack a single piece of equipment.
When asked what “good sound” means to them, each audio engineer will give you their take on what really counts.
Scalable Dynamic Software For Broadcasters is a free 88 page eBook containing a collection of 12 articles which give a detailed explanation of the principles, terminology and technology required to leverage microservices based, software only broadcast production infrastructure.
Here we look at codecs and encoding for digital RF modulation such as ATSC 3.0, DVB and other digital OTA standards, and network requirements for encoding and delivering streaming internet video.
Internet Service Providers (ISPs) are experiencing significant growth in bandwidth consumption largely due to the uptake of OTT video services and the growth in numbers of connected devices per household. ISPs are therefore navigating the path of making investments in their networks that support their own financial requirements and their customers’ expectations.
Sometimes, there’ll be a need to represent real-world objects in the virtual world. Simple objects could be built like any VFX asset; more complex ones might be better scanned as a 3D object, something some studios have begun to consider as a service to offer.
Designing IP Broadcast Systems is a major 18 article exploration of the technology needed to create practical IP based production systems. It builds on the foundations of the huge body of work already published by The Broadcast Bridge on IP. This extensive article collection delves deeper into various aspects of how IP based systems work, with detailed technical explorations of key themes including; design philosophies, discoverability, hybrid systems, remote production, cloud infrastructure and software control layers.
EQ is one of the central tools of the audio production process and with a modest amount of knowledge and practice, a little can go a very long way to improving the subjective quality of a broadcast.
