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If you’re like me, making sense of evolving computer standards like Thunderbolt 3 and USB-C is confusing. These standards seem to change often and sometimes when plugging things in that ought to work, they don’t work at all. It’s all in the details. Here’s an overview of where we stand.
If UHD is going to become a mainstream broadcast medium, we’ll need to be able to monitor, edit and review it. But can we?
With ATSC 3.0 poised to change the broadcast industry’s basic signal, we need to understand this signal is poised between HD and true 4K.
The impact of IP on the design of broadcast equipment and infrastructures is profound. Many broadcasters are replacing existing analog, AES3, MADI and SDI ports with a new class of interface for connecting to standard IT switch infrastructure, together with new control mechanisms for connection management and device discovery. In the process, they’re embracing an emerging set of open standards for interoperable, vendor-neutral signal transport.
AlphaDogs is one of the west coast’s premiere post houses, but even they find the prospect of creating UHD projects challenging.
If you’re like me, looking through layers of buried menus on digital devices for the one thing you need to do is enough to drive you batty. Yet, virtually every digital device in our lives today — from smartphones to cameras to simple audio recorders — comes with layer upon layer of menus in no certain order or place.
John Watkinson puts on his snake-oil-proof clothing and looks at speaker cables. Finally, some clarity behind the myths and magic that surround technical aspects of speaker interconnections.
In the first installment of this article series, we investigated a solution to the post-production editing challenge offered by Avid. Now it is time to see how a prominent facility puts that technology to work.
