Riedel Communications and ARRI played a key role in one of the most technically ambitious Eurovision Song Contest productions to date. For the first time in the event’s history, ARRI Alexa 35 Live cameras were used as the complete main camera package for a groundbreaking Cinematic Live Production, supported by Riedel’s DIVA+ infrastructure and delivered by ORF to over 132 million viewers across more than 35 participating territories.
AAC succeeded MP3 by delivering better quality at lower bitrates. This guide examines how it works, compares the leading encoder implementations, and explains where it sits within the broader MPEG audio standards landscape.
NEP Europe has announced the successful delivery of broadcast services for The Championships, Wimbledon 2026, alongside a new multi-year agreement with Wimbledon Broadcast Services (WBS) as a broadcast services provider.
We begin this series with the foundational building blocks of AI. Basic principles, the technology stack and the types of AI based upon it, and how to apply them effectively in a broadcasting enterprise.
Security is everyone’s problem. It is not just about having the right policies in place or knowing where the vulnerabilities in your network are; it’s about understanding how the network is accessed and by whom, and how to strike a balance between ease of operation and durability.
Cinegy, a provider of software-defined television technology, has extended the ingest facility at leading Brazilian sports company LiveMode.
Riedel Communications has announced an expanded collaboration with SKAARHOJ, bringing official SKAARHOJ panel support to SimplyLive production workflows.
Launched in 1995, MP3 remains one of the most ubiquitous audio formats in the world. This guide explains how psychoacoustic compression works, explains the differences between MPEG-1 and MPEG-2 implementations, and finds out where MP3 works – and where it doesn’t.
