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Part 1 of this series began the analysis of the report by the UK’s Ofcom that compares the UK’s energy consumption in 2021 for content delivered and viewed in DTT (Digital Terrestrial Television) versus OTT (Over The Top) ecosystems. In Part 2, we dig further into the detail and imagine an OTT-only future.
Riedel Communications provided the Munich 2022 Local Organizing Committee (LOC) with communications, broadcasting, and event IT support for the European Championships 2022, which took place August 11-21 in Munich, Germany.
Compression relies heavily on information theory, but also on a good deal of common sense. Here we pick our way between the two.
Appear has launched its X10 DSNG, tailor-made solution dedicated to Digital Satellite News Gathering (DSNG), in Australia and New Zealand.
This Themed Content Collection is the first of a new format for The Broadcast Bridge. It is a single download document that features a set of six articles, each of which tackles a different aspect of production for a large-scale, multi-site live broadcast, such as a major international sporting tournament or a national league on game day. It offers insight into planning infrastructure, networks, physical & virtual resources and people for remote IP based production techniques.
TheBroadcastBridge.com discuss the intricacies of migrating a Production Control Room—and the team that uses it from SDI to IP—with Tom Fuller, Solutions Architect at Bexel, part of the NEP Group.
Kiloview has completed work on the world’s first Outside Broadcast truck to be completely based on NDI workflows.
Machine learning is touching just about every aspect of TV production, pre and post, in studios, large venues and remote sites. It is cutting costs of many routine operations while also opening new possibilities from archives to live.
