Recent Content

The ATSC 3.0 standard affords broadcasters new ways to address the issue of UHD/HD/SD delivery across diverse reception conditions.

ATSC 3.0 Offers New and Flexible OTA Delivery Options for Broadcasters March 15th 2018 - 11:00 AM

The broadcast industry is on the cusp of a new era with the launch of ATSC 3.0 This flexible platform supports multiple types of encoding, which can result in viewers always getting the best available signal over a variety of reception conditions.

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Broadcast For IT - Part 6 - Counting Time in 59.94 March 14th 2018 - 04:00 PM

In this series of articles, we will explain broadcasting for IT engineers. Television is an illusion, there are no moving pictures and todays broadcast formats are heavily dependent on decisions engineers made in the 1930’s and 1940’s. In this article we look at how to represent time in 59.94i frame systems such as those based on the American NTSC systems.

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The color grading suite at Light Iron in Hollywood uses a Sony BVM-X300 OLED HDR 4K professional reference monitor for grading.

UHD Post-Part 3 Meeting it in Post February 21st 2018 - 12:05 PM

If UHD is going to become a mainstream broadcast medium, we’ll need to be able to monitor, edit and review it. But can we?

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Setting up a color workspace using Adobe

UHD Post-Part 2 The Signal February 14th 2018 - 12:05 PM

With ATSC 3.0 poised to change the broadcast industry’s basic signal, we need to understand this signal is poised between HD and true 4K.

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Streaming While Staying Sustainable - Next-Gen Compression For OTT February 14th 2018 - 11:00 AM

Over the past five years, the ways in which we choose to watch television have shifted dramatically. It wasn’t too long ago that live TV was the only option available to us. We had to make sure we were seated with the television on, at the time our favourite shows and movies were scheduled to be broadcast. If we didn’t, we simply missed them.

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The KRBK SFN transmitter site, 5 miles north of Halfway MO, is the one tower the station owns. The satellite dish is the STL.

Pros and Cons of a TV SFN in Market 75: Part 2 February 13th 2018 - 10:00 AM

The reliability of SFN transmitters is crucial. However, some SFN sites can be more crucial than others, such as the ones that cover where the most viewers and sponsors are located.

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Aperi partnered with Gearhouse to provide a fully-operational remote 4K test at UEFA Euro 2016.

IP and Software-based Broadcasting Infrastructures: Fact vs. Fiction February 12th 2018 - 11:00 AM

IP’s suitability for live broadcasting is no longer debatable. It’s been proven in a variety of real-world global deployments over the past several years. Even so, there’s lingering skepticism around IP and a surprising lack of understanding.

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Broadcast For IT - Part 5 - PAL Line and Frame Relationships February 9th 2018 - 09:00 AM

In this series of articles, we will explain broadcasting for IT engineers. Television is an illusion, there are no moving pictures and todays broadcast formats are heavily dependent on decisions engineers made in the 1930’s and 1940’s. In the last article we looked at the incredibly complex relationship between lines and frames for NTSC systems used in the USA. In this article we look at the systems used in the UK and Europe.

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