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Network routing is a phrase that is bandied about broadcast forums liberally. But what exactly does it mean to route an IP datagram? And why is it important for broadcast and radio stations?
The FCC has set out a tight timeline for broadcasters to vacate the 600MHz UHF band, and now the goalposts are moving. With mobile carriers itching to start using the spectrum freed up by the repack, some players like T-Mobile have already sought to expedite the process by incentivizing broadcasters to move early.
The World Teleport Association (WTA) has released Sizing the Teleport Market 2018. In this report, WTA has conducted a new market sizing study, updating information last published in 2010, to present a financial and statistical picture of the industry as it exists in 2018.
Building and operating IP networks is much more than just about saving money on infrastructure costs. Its success is deeply rooted in the ease of flexibility, scalability, and inter-connectivity that it can provide. And one of the greatest benefits of IP is that the protocol and underlying hardware is independent of the data being carried, therefore, distributing and interfacing between different formats is easier than ever.
The traditional bundle that has been the common currency of pay TV almost since its inception will change beyond recognition over the next five years. That is one conclusion of a panel of European pay TV executives polled by Kudelski Group’s revenue security and multiscreen software subsidiary Nagra, as part of its Pay-TV Innovation Forum 2018.
Broadcasters are becoming exposed to new cybersecurity threats as they move workflows increasingly into the IT domain, warns the EBU (European Broadcasting Union). Some of them may be unprepared and assume that their traditional content protection mechanisms based on Conditional Access and DRM technologies are still sufficient to cover their security needs.
Europe’s plan to require OTT providers to include 30% local content in their programming will have little impact on the major international SVoD providers Netflix and Amazon. Their European strategy is already built around an expanding portfolio of local content partly to appease national sensibilities but also because it wins subscribers and boosts viewing levels. They have been aware quotas were coming for about three years and had time to prepare, even if they had not originally been expecting it to be as high as 30%.
The phrase “Lights, camera, action!” reminds most people of show business and the glamor in front of the cameras. In fact, the real action doesn’t occur on sets. Everyone who touches TV content or delivery wants a piece of the “action.” That action is royalties, and its the best action in show business.
