To provide creators with a tool to explore their sonic horizons, Sennheiser has launched the new MKE 400 – a highly directional compact shotgun microphone that brings compelling audio to DSLR/Ms and mobile devices alike.
Company Owner Fred Vogler relies on a combo of new and existing sound files recorded with DPA’s 4091 Omni Condenser and 4560 Binaural Mics and MMA-A Interface.
Special water-proof ambience and boomset microphones created an as-if-there feeling for broadcast audiences around the globe and facilitated team communications.
NASA’s Mars “Perseverance” Rover, kitted out with DPA’s 4006 Omnidirectional Microphone, MMA-A Digital Audio Interface and MMP-G Modular Active Cable, provided the first sounds from the surface of Mars.
For over 25 years, Euroconcerts Audio Control has called on DPA Microphones to provide pristine and reliable sound reinforcement for a wide array of musical productions.
Genelec Senior Technologist Thomas Lund starts down the road to ideal monitoring for immersive audio by looking at what is real, and how that could or should be translated for the listener.
Lawo’s Christian Scheck takes a tour of console functions and features that have a special place in immersive audio production, and how they are developing.
At the U.S. Open Tennis Championships, New York City-based production company hsc.tv produced specialty portraits and player interviews that were used for broadcast elements and stories on ESPN, as well as on social media. While the ESPN U.S. Open assignment is a recurring one for hsc.tv, t
