NASA’s Mars “Perseverance” Rover, kitted out with DPA’s 4006 Omnidirectional Microphone, MMA-A Digital Audio Interface and MMP-G Modular Active Cable, provided the first sounds from the surface of Mars.
At the U.S. Open Tennis Championships, New York City-based production company hsc.tv produced specialty portraits and player interviews that were used for broadcast elements and stories on ESPN, as well as on social media. While the ESPN U.S. Open assignment is a recurring one for hsc.tv, t
Will alternative immersive channels create an imperative for broadcasters? Veronique Larcher, Director of AMBEO Immersive Audio, Sennheiser, explores immersive content outside of the commercial broadcast space, including virtual, augmented, and mixed realities.
HRTF stands for Head Related Transfer Function and, simply put, is a catch-all term for the characteristics a human head imparts on sound before it enters the ear canal. Everything from level tonal changes caused by our head, shoulders, and pinna (external ear parts), to arrival-time differences (Interaural Time Difference,
The familiar “Faster, Higher, Stronger” motto is not just for Olympic athletes but also applies to the common man (and woman): The first black-and-white television sets were considered a sensation until color TV came along, opening a whole new dimension to the viewing audience. In parallel, cinema screens grew ever tal