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A server will experience problems when the processing demands hit a resource limit. Observing trends by measuring and comparing results periodically can alert you before that happens.
Welcome to Part 1 of Virtual Production For Broadcast - a major 12 article exploration of the technology and techniques of LED volume based virtual production approached with broadcast studio applications in mind.
EMG, Europe’s leading broadcast service provider, has announced the launch of four front-end OB vehicles that enable broadcasters to harness the benefits of remote production. Aligning with EMG’s ESG (Environmental, Social and Governance) programme, the vehicles fulfil a host of sustainability goals including energy efficiency and reduced staff requirement on site while providing a state-of-the-art technology infrastructure.
Having earlier looked at the different ingredients of spatial coding, the opportunity now arises to pull them together into a system.
Moving to cloud computing is more than just a technical challenge, it has the potential to embrace the whole needs of the broadcaster’s business. And whether a broadcaster decides to move completely to the cloud or adopt a hybrid approach, the consideration of best practices should be at the forefront of their minds.
How efficient one-to-many video distribution is achieved over IP networks using multicasting.
Balik Studio is one-of-a-kind among the world’s music recording facilities, offering a modern hybrid music production workflow alongside the production of gourmet smoked salmon in a 300-year-old farmhouse in the rolling hills of rural northeast Switzerland. The studio’s control room recently underwent a renovation that included the installation of a Solid State Logic Duality Fuse Pro-Station SuperAnalogue mixing console.
The histories of broadcasting and radar are forever intertwined as the same people worked in both fields and knowledge flowed between them. Television and radar are both imaging technologies, but only one is for entertainment.