Live remote production specialist Mobile TV Group (MTVG) has been building at least two production trucks and support vehicles a year for network television sport and entertainment shows for the past 20 years, but few are as versatile and future-proof as the company’s new 39Flex truck. Designed and built by
Panasonic has entered the 360 degree camera market with the development of a Live Camera System, the AW-360. The camera is capable of producing 360-degree video in uncompressed 4K/30p using the industry-standard 2:1 equi-rectangular format 360-degree video by stitching the output of four cameras.
The first exhibition day of the 2017 NAB Show will see Sennheiser launch a new microphone package designed to match the ruggedness of GoPro cameras while delivering high-quality sound in difficult and inhospitable conditions. The MKE 2 elements Action Mic is aimed at extreme sports and other remote filming applications featuring GoPro
High-speed cameras add production value and an exciting new dimension to live television, particularly for sports coverage. Consumers expect an ever-more-amazing viewing experiences through features such as high-frame-rate (HFR) replays, driving sports broadcasters’ growing demand for the cameras that can offer these effects.
Timecode Systems is heading to Las Vegas with new products, enhanced features, and some exciting updates to its BLINK Hub app that together demonstrate how its solutions combine to deliver significant time and cost savings throughout the production process, from acquisition through to postproduction. This year the company will be
Bexel has supplied all audio/video equipment for the third season of the hit A&E docuseries “60 Days In,” which is set inside Fulton County Jail in Atlanta and premiered on March 2. Bexel provided a complete, pre-configured and tested package of robotically controlled camera systems and related equipment to
Bexel’s Global Broadcast Solutions division has unveiled a miniature, high-frame-rate (HFR) camera for live production that, due to its size, can be mounted in a myriad of places while capturing steady and smooth real-time images; in both standard rates and HFR (up to 480 fps in HD). The new Clarity 800