Why On-Camera Filters Still Matter January 16^th 2020 - 09:00 AM

We live an era of immensely powerful post-production tools with advanced color-correction and software plug-ins to serve every conceivable function. We can routinely remove guy wires from scenes, change day to night, and add just the right amount of coral or other color to fit any desired mood or impulse.

Luxli Introduces The Taiko LED Light January 13^th 2020 - 10:00 AM

Luxli has debuted the Taiko RGBAW light, which offers a raw 15,500 lux with a 250 watt maximum power draw.

PrimeTime Lighting Introduces MSLED 40 XB2 For Broadcast Studios January 10^th 2020 - 01:00 PM

PrimeTime Lighting has introduced the MSLED 40 XB2, an updated light with a digital display interface and throw of soft light and shadow.

Future Production January 10^th 2020 - 09:00 AM

It’s not controversial to say that film production in London has been booming for a few years, and there’s no real secret as to why: in 2006, Gordon Brown’s government introduced tax incentives that have played at least a part in provoking a doubling of production spend since 2009, and t

Matthews Panel Stand Cranks Up Production Accessories December 16^th 2019 - 01:00 PM

Matthews Studio Equipment has announced the Panel Stand, a quick set-up stand that supports panel and balloon-style lighting fixtures, LED monitors, screens, overhead frames and backdrops.

Brightline Adds Zoom-Based Support To Client Services December 12^th 2019 - 12:05 PM

Brightline, a manufacturer of lighting systems, has announced technical support through Zoom for its resellers, integrators and clients of videoconferencing systems.

London’s That Lot Unveils Social Media Production Studio Built By ATG Danmon December 2^nd 2019 - 01:00 PM

London-based social media content production company That Lot has a new multi-camera studio designed and built by ATG Danmon that features a production studio with lighting, vision and audio mixing, routing, recording, monitoring and archiving.

For DOPs: The Peril Of Larger, Brighter TVs November 22^nd 2019 - 09:00 AM

Each year, as the TVs in our homes grow larger and brighter, DOPs have to wonder how this will affect our craft and the integrity of our images. As it is, HDR is touted as a kind of industry panacea, addressing in an orderly way (more or less) the vastly

Portland’s Open Signal Chooses Brightline For Studio Lighting November 11^th 2019 - 01:00 PM

Brightline said Open Signal: Portland Community Media Center, a nonprofit media arts and broadcast center in Portland, Oregon, has upgraded the lighting grid in its 2,000-square-foot main studio with 30 Brightline L1.2 SeriesONE LED fixtures.

HDR - Part 5 - Jargon Buster November 6^th 2019 - 09:00 AM

The techniques of 35mm film are seductively simple. The process is the same no matter what the camera in use, or how the film will be cut. Conversely, every digital camera might have its own ways of approaching different parts of the process, creating a forest of terminology – gamma, gamut, s