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Content / acquisition / lighting

Creative Analysis: Part 18 - Cinematographer Johnny Derango On Fatman March 1st 2021 - 09:00 AM

Possibly one of the last features to wrap before the global pandemic effectively shut down production was Fatman, a dark action comedy directed by Eshom and Ian Nelms and starring Mel Gibson as the kind of Santa Claus who would probably exist in 2020 if one existed at all.

HDR: Part 21 - Creative Technology - The Size Of Light February 22nd 2021 - 09:00 AM

Most people are aware that the amount of detail in a photograph is dependent on a few things. Assuming focus is right, it’s easy to assume it’s a combination of how well the lens was made and the number of pixels on the sensor, give or take the

Monkey Deux Uses BB&S Lights To Shoot Our Star Wars Stories February 17th 2021 - 10:00 AM

The Jordan Hembrough-hosted digital series Our Star Wars Stories now uses remote phosphor Pipeline Reporters lights.

Creative Analysis: Part 17 - DOP Simon Rowling On Legacy Of Lies February 15th 2021 - 09:00 AM

Some films languish in preproduction hell for years. For cinematographer Simon Rowling, though, only a matter of days elapsed between first discussing Legacy of Lies and flying out to begin location scouting. The production, which stars Scott Adkins as a CIA agent in pursuit of Russian kidnappers, was written and

HDR: Part 20 - DOPs: Do We Still Need Green? February 8th 2021 - 09:00 AM

With the recent advances in artificial intelligence, post-production rotoscope tools are now so good that some DOPs are asking if we still need to use green screen at all, or at least, in quite the same way. Suddenly, it seems any background, no matter how complex, can be replaced in

Brightline Upgrades LED Lighting February 4th 2021 - 09:00 AM

The lighting grid is daylight balanced (5600K) and features a mix of Brightline L1.2 and L1.4 LED SeriesONE studio fixtures, BL.16 long-throw beam compact fixtures, and Lupo DayLED fresnels.

LynTec Introduces LCP Lighting Control Panel Series January 28th 2021 - 11:00 AM

The LCP Lighting Control Panel Series is for lighting and video wall installations.

Creative Analysis: Part 16 - DOP Jody Lee Lipes On I Know This Much Is True January 25th 2021 - 09:00 AM

Allowing one actor to play two roles in the same scene has been possible, at some level, at least since 1961’s The Parent Trap, in which one of Hayley Mills’ arms disappears visibly behind a soft-edged split screen. To put it mildly, techniques have improved, but keeping the necessary technology out

HDR: Part 19 - Creative Technology - Bayer And Beyond January 22nd 2021 - 09:00 AM

It’d be easy to think that when Bryce Bayer’s name appeared on the Kodak patent for single-sensor color cameras in 1976, it was a new idea. Sufficiently new to be patentable, perhaps, but actually the idea of covering a sensor with a pattern of primary-colored filters goes back to the

​Pete Romano ASC Uses New Waterproof Light January 19th 2021 - 10:00 AM

Underwater cinematographer Pete Romano ASC uses LitraStudio for sub-aqua lighting.
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Global Viewpoint

IP Agile Mindsets February 25th 2021 - 09:15 AM

Agile development and DevOps are relatively new concepts for broadcasters. But when I interviewed Paul Markham, from Discovery, in Part 1 of Transitioning to Broadcast IP Infrastructures, it became clear that these disciplines have implications that stretch far beyond software development.

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