Timeline is supplying technical broadcast facilities for BBC’s Blue Planet Live. Broadcasting live from three different locations across the planet: Baja, Mexico; the Bahamas; and Australia’s Great Barrier Reef.
At the 2019 NAB Show, the Optical Devices Division of FujiFilm North America (Fujinon) will introduce three new 2/3-inch 4K UHD lenses as new additions to its UA Series. These include the UA125x8 zoom; the UA18x6.7 compact, handheld zoom; and the UA23x7.6 handheld zoom.
Looking to address the demand for affordable, high-quality 4K UHD lenses for television news and sports, at the 2019 NAB Show Canon U.S.A. will unveil two new portable-zoom 4K UHD broadcast lenses as new additions to its UHDgc series. The new lenses, the CJ18ex28B and CJ15ex8.
The ever-increasing use of small broadcast quality HD cameras with wide angle or fisheye lenses have become increasingly prevalent. Their use can be found in live broadcast applications such as sport, ENG, wildlife programming, and reality TV, with non-broadcast use in medical, forensics/security and online gaming.
When a company markets two products that seem similar, both targeting much the same task, but one costs significantly less, it’s reasonable to assume the less expensive product will offer significantly fewer features.
At the 2019 NAB Show Cooke Optics will spotlight several new lenses from its S7/i, Panchro/i Classic and Anamorphic/i Full Frame Plus ranges. The company said it would also demonstrate the latest version of its /i Technology metadata system that provides detailed lens data to VFX and post-production
Sigma Corporation of America said its newest cine wide-angle prime lens, the Sigma Cine 28mm T1.5 FF, is a fast and sharp T1.5 cine lens compatible with full-frame camera sensors and optimized for ultra-high-resolution 6K-8K productions. Featuring a 180-degree focus rotation, this lens is available in EF, E and
NASCAR Productions, based in Charlotte NC, prides itself on maintaining one of the most technically advanced content creation organizations in the country. It’s responsible for providing content, graphics and other show elements to broadcasters (mainly Fox and NBC), as well as NASCAR’s digital and social platforms and other sho