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ATOMOS has announced that the NINJA V and NINJA V+ will support recording of Apple ProRes RAW over HDMI for the new OM-1 Micro Four Thirds (MFT) camera from OM SYSTEM. The NINJA V/V+ will record 12-bit ProRes RAW video at the DCI 4K standard up to 60fps.
In digital television broadcasting, what matters is that the pictures should be displayed at the correct frame rate and lip-sync should be achieved in an isochronous system.
Thoroughbred Racing Productions (TRP), a leading provider of production services for the Australian thoroughbred horse racing industry, recently purchased some high quality FUJINON 4K lenses for their new OB fleet.
Cooking has long been a popular subject for television, partly because everyone has to eat, but also because it’s the sort of programming that can, in principle, be turned out of a studio in half-hour chunks, several times a day.
The Fourier transform is one of the most enduring and looking at the basics is a good place to start.
Here we look from the state of the art in microphones, to what the future may bring with the enticing theoretical potential of microphone arrays built using MEMS technology.
Using lessons learned from its bubble experience during the 2020 pandemic season, the National Basketball Association (NBA) continues to reimagine how it broadcasts games to its viewers while also carefully returning to traditional production workflows that have served its TV coverage well. However, there’s no doubt that various REMI methods are allowing teams to produce NBA content with fewer production personnel and fewer technical assets located onsite.
Among NBC Sports’ kit used for its coverage of the XXIV Olympic Winter Games is over 100 Sony cameras on site and 300 reference monitors.
