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Stick Figure War Shot in Blackmagic RAW
Production company SoKrispyMedia’s newest release, “Stick Figure War” was shot in Blackmagic RAW using Blackmagic URSA Mini Pro 4.6K G2 and Micro Studio Camera 4Ks, with post work done in DaVinci Resolve Studio. …HDR: Part 19 - Creative Technology - Bayer And Beyond
It’d be easy to think that when Bryce Bayer’s name appeared on the Kodak patent for single-sensor color cameras in 1976, it was a new idea. Sufficiently new to be patentable, perhaps, but actually the idea of covering a sensor with a pattern of primary-colored filters goes back to theDisney Film Posted With Blackmagic Gear
Disney film ‘Safety’ used a DaVinci Resolve Studio workflow from principal photography through final delivery. This incorporated a digital asset management (DAM) system on set built around Blackmagic Design’s switchers, recorders, routers and monitors. …Playing For Change Uses ATEM Mini Pro
Livestreams for Playing for Change, an international foundation created to connect people through music, used the ATEM Mini Pro and Blackmagic Pocket Cinema Camera 6K. …Bando Post Deploys DaVinci Resolve Studio
Turkish post facility, Bando Post, has deployed DaVinci Resolve Studio throughout its pipeline, including edit, visual effects, sound design and final grade. …HDR: Part 18 - The Resolution Ruse: It’s Not All Peaches And Cream
With Blackmagic recently introducing a new 12K camcorder, the question arises (once again) how much resolution is enough. After all, even the most fervent resolution junkie would have to agree there is a practical upper limit to resolution and how much is actually discernible and worthwhile. …HDR: Part 17 - Creative Technology - Is RAW Really Uncompressed & Unprocessed?
It’s hard to object to raw recording. The last thing anyone wants is for the creative intent to be adulterated by unfortunate technical necessities like compression, and the flexibility of raw makes for… well. Let’s admit it: better grading, but also easier rectification of mistakes after the fact, to thCreative Analysis: Part 10 - Cinematographer John Brawley On The Great
Cinematographer John Brawley finds himself happily amidst of an unprecedented renaissance of high-end television. The Great is a production that presents a lavish (if fictionalised) spectacle of eighteenth-century Russia, with Brawley photographing five episodes, with the remainder shot by Maja Zamojda and Anette Haellmigk. Ranging from the Royal Palace ofKABB’s Chief Meteorologist Shares His Successful Broadcasting From Home Formula
When the pandemic began shutting down TV stations in the spring of this year, journalists and producers were left to figure out how to work from home and set up technical systems they were very unfamiliar with. In many cases panic set in. …Cameras Galore At Virtual IBC 2020
In terms of new broadcast cameras, if the recent virtual IBC convention is any indication of how the industry is supporting broadcast and TV studio customers, buyer confusion reigns supreme. Gone are the days of one-camera-fits-all applications. …
