In a multi-disciplinary subject such as color space, it is hard to know where to start. John Watkinson argues that the starting point is less important than the destination.
In Part 1 of our series of full length videos from our one-day Real World IP seminar, hosted by The Broadcast Bridge and held at BAFTA in London, Tony Orme, Editor of The Broadcast Bridge, introduces the problem broadcast IP infrastructures solve, that is, to improve flexibility and scalability, resulting in reduced costs and improved workflows.
Leyard brought music to the eye with its parade of LED, LCD and OLED displays at IBC 2019.
The promise of SMPTE ST 2022-7 has been never to lose picture on a critical monitor, and at IBC 2019 Plura Broadcast showed us how to make it real.
As High Dynamic Range (HDR) and Wide Color Gamut (i.e.BT.2020) are increasingly mandated by major industry players like Netflix and Amazon, DOPs in the broadcast realm are under intense pressure to get it right during original image capture. We all know (or learned the hard way) that the amount of detail required to produce an optimal HDR master cannot be recreated or effectively added downstream.
Densitron’s latest 7-inch and 10.1-inch display monitors continue the company’s reputation for reliability with a backlight half-life of 50,000 hours.