Recent Content

Behind the scenes at the Jaguar shoot.

Director Brett Danton Chooses Canon C200 for Jaguar SUV Spot November 22nd 2017 - 10:00 AM

Director Brett Danton has wrapped a 60-second spot for the new Jaguar F-PACE performance SUV shot on the Canon C200. Danton and DP Ashleigh Carter, opted to use Canon EOS C200 and EOS C700 Cinema cameras, a range of Canon EF and Cine lenses for the shoot, along with the Canon DP-V1710 4K UHD reference display for on-set monitoring.

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DP Phil Arntz shot aerial scenes with an Atomos Sumo19M HDR production monitor high above London.

Atomos Sumo Helps Monitor Aerial Footage for English Charity Documentary November 9th 2017 - 09:00 AM

Phil Arntz is a veteran DP who specializes in aerials and has produced several renowned promotional films and documentaries. He recently took to the skies with an Atomos Sumo video recorder/monitor mounted inside two helicopters to shoot London’s most famous landmarks for London Air Ambulance, a charity organization that rescues ten critically injured people each day.

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GSU media center, CMII, to use Panasonic EVA1 (image) and Varicam LT cinema cameras.

Georgia State U Equipped with VariCam LT and AU-EVA1 Cameras and More October 30th 2017 - 12:00 PM

Georgia State University (GSU) opened the school’s $22.5 million, world-class media center, the Creative Media Industries Institute (CMII) on October 19. Panasonic will play an integral role in CMII through the provision of a broad array of professional video and display equipment, and through the company’s sponsorship of a marquee seminar series, “Bursts of Excellence,” featuring the filmmaking industry’s top above-and-below-the-line talent.

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The Hybrid Log-Gamma HDR output of cameras can now be recorded directly to the Shogun Inferno series recorders.

Atomos Offers Free HDR Upgrade for On-Camera Monitors October 27th 2017 - 10:00 AM

Atomos is offering a free firmware update (AtomOS 8.4) for its Shogun Inferno and Ninja Inferno 4K on-camera monitor/recorders that adds new features to make capturing and delivering content in HDR as seamless as in standard dynamic range (SDR). It also brings 2K 240fps Raw-to-ProRes and 4K 12-bit CDNG Raw recording to the Panasonic Varicam LT, when coupled with the Shogun Inferno. This adds to the existing Raw support for several Sony and Canon cinema cameras, as well as improving support and enhancements for many more cameras.

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All new FSI critical-grade monitors now support 47.95, 48, 50, 59.94, and 60P 2K signals.

Flanders Scientific Expands Frame Rates Support for New 2K Monitors October 26th 2017 - 11:00 AM

Flanders Scientific, Inc. (FSI) has added support for a wide range of display formats to broaden their appeal for critical monitoring applications.

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The Mi-8 12G-SDI for UHD multiviewer accepts eight 12G SDI or four 12G (quad-link) inputs for a variety of content monitoring applications.

Apantac Showcases 12G and IP Multiviewer October 16th 2017 - 12:05 PM

Apantac will demonstrate its new 12G for UHD and IP multiviewers at the upcoming NAB New York show. The new solutions offer customers a straightforward upgrade path to UHD as well as IP migration, for a variety of content monitoring applications.

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