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A discussion of camera sources, contribution network and remote control infrastructure required at the venue.
It was ten years ago, in the fall of 2012, that NBCUniversal opened a new international broadcast center in Stamford Connecticut, as the home for NBC Sports. It served as a way to consolidate its growing employee base and the production activities of a number of physical assets the network owned in Colorado, Connecticut, New Jersey, New York City, and Philadelphia.
The 2022 City of Culture festival concluded with a performance created by Nitin Sawhney CBE. Filmed on the URSA Broadcast G2, an edited broadcast of Ghosts In The Ruins aired on the BBC.
AI, primarily Machine Learning (ML), is driving progress in the evolution of the UI (User Interface) for TV’s and other consumer devices, alongside other aspects of the overall UX (User Experience).
A discussion of how to create reliable, secure, high-bandwidth connectivity between multiple remote locations, your remote production hub, and distributed production teams.
At one time broadcast television was inseparable from interlace, whereas now things have moved on, but not without interlace leaving a legacy. So what was it all about?
IP is an enabling technology, not just another method of transporting media signals. Consequently, it is giving broadcasters the opportunity to reconsider how we build live television workflows and infrastructures.
Microservices provide a mechanism to allow broadcast facilities to scale their resource to meet viewer demand. But the true power of microservices is released when we look at containers and orchestration, a management system that empowers scalability, flexibility, and resilience.
