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The Sponsors Perspective: Capturing Immersive Audio November 10th 2020 - 09:00 AM

Strategies for capturing immersive audio for scene and object-based audio.

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The Sponsors Perspective: Monitoring Immersive Audio November 2nd 2020 - 09:00 AM

Genelec Senior Technologist Thomas Lund starts down the road to ideal monitoring for immersive audio by looking at what is real, and how that could or should be translated for the listener.

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The LAWO mc<sup>2</sup>56 mkIII with immersive control shown on-screen.

The Sponsors Perspective: Effectively Using The Power Of Immersive Audio October 27th 2020 - 09:00 AM

Lawo’s Christian Scheck takes a tour of console functions and features that have a special place in immersive audio production, and how they are developing.

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HSC.TV Builds Zero-Contact Interview Set To Cover U.S. Open Tennis Championships For ESPN September 21st 2020 - 10:00 AM

​At the U.S. Open Tennis Championships, New York City-based production company hsc.tv produced specialty portraits and player interviews that were used for broadcast elements and stories on ESPN, as well as on social media. While the ESPN U.S. Open assignment is a recurring one for hsc.tv, this year the parameters were decidedly different.

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The Magic Leap One mixed reality headset.

The Sponsors Perspective: Mixing Realities - Feeding The Immersive Markets September 15th 2020 - 09:00 AM

Will alternative immersive channels create an imperative for broadcasters? Veronique Larcher, Director of AMBEO Immersive Audio, Sennheiser, explores immersive content outside of the commercial broadcast space, including virtual, augmented, and mixed realities.

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Could personalized HRTFs be the next big step change for both the consumer and professional immersive headphone experience?

The Sponsors Perspective: The Personal HRTF - An Aural Fingerprint September 8th 2020 - 09:00 AM

HRTF stands for Head Related Transfer Function and, simply put, is a catch-all term for the characteristics a human head imparts on sound before it enters the ear canal. Everything from level tonal changes caused by our head, shoulders, and pinna (external ear parts), to arrival-time differences (Interaural Time Difference, or ITD) between the two ears have an effect on our perception of the direction and distance of sources.

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