Broadcast television has witnessed many advances in technology since the first electronic images were transmitted in the 1930’s, and none have been as influential or disruptive as IP. But are we now at the dawn of the perfect win-win outcome? Can manufacturers, entrepreneurs, and broadcasters all equally gain from IP migration?
Audio can be edited these days on virtually any personal computer. Professionals, however, need to understand storage drives in order to get the best results. Here’s what to look for when buying drives for audio editing.
Vizrt is expanding its gallery of software solutions with new versions that will keep it on the forefront of IP production.
At the 2018 IBC show, DPA will showcase its new ‘CORE by DPA’ amplifier technology, that powers its line of d:screet miniature lavalier, d:fine headset and now d:vote 4099 Instrument Microphones, to create an even clearer sound by lowering overall distortion and expanding the dynamic range.
Finally there is a serious editing app for iOS that gives post production pros the capabilities they need to create professional quality projects on mobile platforms. It’s called LumaFusion. It’s available from Luma Touch, and it only costs $20
Madrid-based Tilt, a bespoke audio and video broadcast service provider, is reaping the benefits of a 48-fader Artemis Light console from Calrec for its UM003HD mobile production unit.