In constructing a space for recording audio, often one of the last considerations is maintaining a steady flow of reliable electricity to equipment in all situations. If the power is functioning normally, all is good. But when it fails or surges, everything can come to a halt and earlier work is easily lost. This is when you need an uninterruptible power supply or power conditioner.
IP has now come of age and many broadcasters are looking to transition to ST2110. The Broadcast Bridge has been championing IP education and in this unprecedented IP seminar they have brought together leading industry experts to deliver an in-depth case-study of the world’s leading ST2110 IP installation at NEP Australia.
Creative Technology recently looked to ES Broadcast to expand and upgrade its remote AV services. The integrator used TSL Products’ TallyMan Broadcast Control System for three UHD Portable Production Units (PPUs) and one HD 3G PPU.
You’ve got to hand it to RØDE, an Australian company that finds tasks too difficult for many non-engineers and then solves them with a simple a solution. They have done just that with the new RØDECaster Pro, a device some are calling a “game-changer” for podcasters. But its features can be useful in many broadcast applications, especially news.
All your chosen hardware is in place and working well. You are hard at work mixing your audio project. But the end result is disappointing. It just doesn’t sound that good. What’s wrong? It may have nothing to do with your gear.
Waves Audio has introduced the Sibilance plugin, a transparent vocal de-esser that removes harsh vocal “s” sounds faster than previous systems.