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Genelec has made configuring and managing its Smart Active Monitoring systems even more user-friendly with its GLM 4.2 loudspeaker manager software, and the new 9301B multi-channel AES/EBU interface.
Despite significant lobbying efforts on the part of wireless microphone manufacturers and others to establish secure RF spectrum in which to operate, the FCC has issued a new order declining the industry’s request to preserve a vacant channel in the television bands for use by white space devices and wireless microphones.
Sennheiser, manufacturer of the acclaimed Evolution Wireless IEM systems, has launched the XS Wireless IEM for musicians seeking to professionalize their shows by switching from floor wedges to wireless IEMs.
Innovative technologies have enabled remote production to take center stage. Although live video capture remote from the studio has been happening for years, COVID-19 has forced this trend to evolve. Today, everything from filming content to directing to editing can be done remotely.
The world’s first immersive audio format is getting a new generation of consumers hooked via gaming, VR and ASMR, while both production and consumer technology is making it easier to record and easier to access.
Designed for 3D, surround and immersive audio workflows, Halo Vision is a customizable, real-time visual analysis suite operating in up to 7.1.2 channels for the AAX, VST3 and AU formats.
Sony Electronics used its first in-person NAB press conference in two years to outline the many areas of production and content delivery where the company is placing much of its emphasis on product development.
Genelec has expanded its range of RAW aluminium models to include the 8331 and 8341 three-way coaxial studio monitors from The Ones series, with a proportion of each sale of these new models being donated to the Audio Engineering Society (AES) throughout the whole of 2022.
