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Auralex Ships 40th Anniversary Edition SonoSuede Acoustic ProPanel Kits February 21st 2017 - 11:00 AM

Auralex Acoustics is shipping its 40th Anniversary Edition ProPanel ProKit-1 and ProKit-2 kits, the company’s all-in-one acoustical room treatment systems.

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How to Record the Audio of a Moving Subject February 20th 2017 - 10:00 AM

Often called “walk-and-talk” recording, videographers are often confronted with recording the audio of subjects in their workplace or during an interview with two or more people walking in full motion. Here’s how to insure excellent audio.

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Maintaining Realistic Maximum Sound Pressure Levels with Dynamic Microphones February 15th 2017 - 11:00 AM

When recording live audio with a dynamic microphone, a good recordist may want to know what is the maximum sound pressure level that mic can handle without distorting. As with many such seemingly basic questions in audio, the answer is not so simple.

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Using a Boom Microphone in Video Production February 13th 2017 - 10:00 AM

With the current generation of videographers, a mounted on-camera microphone is considered a major upgrade to the camera’s built-in microphone. But when a video producer seeks true excellence in field audio, boom microphones come into play.

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“Phantasmic Ghost Hunters” Gavin Kelly (right) and Paula Purcell chasing ghosts for Amazon Prime series.

TASCAM Recorders Capture Phantasmic Ghost Hunters’ Paranormal Investigations February 10th 2017 - 08:00 AM

Gavin Kelly, a well-known “ghost hunter,” seeks to prove the existence of the paranormal by recoding strange sounds with his TASCAM DR-series field recorder for Amazon Prime’s new television series “Paranormal Journey: Into the Unknown.” Kelly, who serves as the host and lead investigator for the series and partner/cohost Paula Purcell, are known as the “Phantasmic Ghost Hunters.”

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Testing in an anechoic chamber

How Microphone Frequency Response Relates to Recorded Sound February 9th 2017 - 01:00 PM

One of the most popular microphone specs is frequency response. However, is the frequency response spec really an accurate description of a microphone’s sound characteristics?

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