The Pentecostal Church Filadelfia has installed Jünger Audio loudness processing to control the entire audio output from the media center in its new Q42 complex in Kristiansand, Norway.
Connecting a standard microphone into an IP facility should be easy, but often it can become a hair-pulling experience. A good solution is to use Studer’s DIOS to simplify the interface.
Audio-Technica has debuted the ATDM-0604, a six-channel automatic mixer ideal for meetings, conferences, soft codec applications, courtroom proceedings, radio and TV broadcasts and other applications involving the use of multiple microphones or other media inputs.
Qatar TV, based in Doha, has built two new HD-capable OB vans and equipped them with a full complement of Lawo audio, video and control infrastructure products. System integrator Sony Professional Solutions MEA is building the new production trucks.
The AES67 audio standard provides unique benefits for audio networking to accommodate remote broadcasts and multi-channel immersive audio recording. Greg Shay, Chief Technology Officer (CTO) at The Telos Alliance, explains how audio engineers can benefit by using the technology to gain flexibility and make the most out of the resources at hand. He says he’s most excited about future potentials for remote performance and remote production, over an IP infrastructure, without any compromise of quality.
Looking to support all types of IP infrastructures for the creation and delivery of audio and video content, Lawo has introduced the fully IP-based mc²96 Grand Production Console, a mixing console that has been specifically designed to provide optimal performance in IP video production environments. This includes full support for all relevant audio-over-IP networking (AoIP) standards, such as SMPTE 2110, AES67, Ravenna and Audinate’s Dante.
