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Applied Technology: Dolby E Workflow – From Content Creation to Playout March 20th 2017 - 04:00 PM

From creation to broadcast to transmission, audio content requires similar processes but with different variations depending on where the content is in the workflow. This article will briefly discuss content requirements, workflows, and the role that Dolby E has as a part of this transmission chain. In each case, Dolby E based processing and other audio workflows are required.

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The new rackmount allows users to integrate up to two TM3 or TM3-Primus monitors in one highly portable frame.

New 19-Inch Rackmount For RTW Monitors Lets Them Go Anywhere March 20th 2017 - 10:00 AM

RTW, a provider of visual audio meters and monitoring devices, is set to debut a 19-inch rackmount frame for its TM3 and TM3-Primus series of products at this year’s 2017 NAB Show. Also on display will be RTW’s existing TM7/TM9 TouchMonitors with a new firmware upgrade.

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The Telos Z/IPStream processors and encoders feature the company’s proprietary Livewire+ AES67 IP networking technology.

The Telos Alliance Promotes AES67 & AoIP Solutions at CABSAT 2017 March 16th 2017 - 04:00 PM

The Telos Alliance of companies that includes Telos, Linear Acoustic and Minnetonka will exhibit its latest audio over IP (AoIP) products in the exhibit stand of local dealer AVC Group (# G2-20) at the CABSAT 2017 conference in Dubai. Specifically, the company has standardized on the AES67 audio networking protocol for sharing audio signals over an Internet Protocol (IP) infrastructure and will show a large variety of products that include Livewire+ AES67, the Telos Alliances own AES67-compliant AoIP protocol.

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The new AMP2-16V Series audio monitor includes full support for the Dante and Ravenna/AES67 audio networking protocols.

Wohler to Show Affordable Audio Monitoring with AoIP Functionality March 15th 2017 - 11:00 AM

At this year’s 2017 NAB Show, Wohler Technologies will be showcasing a variety of audio monitoring solutions that are available at an aggressive price point to meet the needs of a wide range of production professionals.

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North American Broadcasters will use Dolby’s AC-4 Audio compression system for their upcoming ATSC 3.0 broadcasts.

Dolby AC-4 Recommended For North American Broadcasters Migrating To ATSC 3.0 March 10th 2017 - 01:50 PM

After more than two years of technology development, subcommittee discussions and field tests, on February 23rd the Advanced Television Systems Committee (ATSC) recommended that North American broadcasters choosing to migrate to the next-generation ATSC 3.0 specification use the Dolby AC-4 codec for OTA transmission. The Dolby system was up against a group of companies that have developed a competing system known as MPEG-H Audio

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Using a Parametric Equalizer March 8th 2017 - 11:00 AM

As a sound recordist, you probably know about basic equalization, or EQ. It is found on most audio mixers today. But do you understand parametric EQ — the more precise form of equalization? If not, you should.

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