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LL35 is a “If you build it, they will come” attempt to attract the young gaming community to live streaming and TV content.
Mo-Sys Engineering plans to introduce two new StarTracker products together with an innovative exchange programme. The StarTracker Mini will expand the range, increasing its market reach to a new generation of Virtual Production creators, while StarTracker Max shows off its improved camera tracking technology for professional broadcast and cinematic use.
There has been an almost inevitable surge in TV production in the UK as the pandemic recedes. The way the sector has rapidly hit production capacity highlights some long-term issues with how the industry attracts and trains new talent.
Nobody’s risking much, in 2022, by assuming we’re living through the genesis of virtual production. There are enough high-profile productions happening to lend the technique some legitimacy, and while the surge in both interest and the provision of facilities makes it hard to say how demand and supply are matching up, activity is at fever pitch.
Vinten, a manufacturer of manual and robotic camera support systems, has launched its new Osprey pedestal series — a range of two-stage pedestals designed for camera operators to effortlessly move and precisely frame the on-screen image, placing viewers ‘in the action’.
The TG-47 is designed for smaller cameras that need the strength and power of a traditionally larger PT head packed into a compact footprint.
With fewer exhibits and smaller crowds, the 2022 NAB Show aisles were easier to navigate and exhibitors had more time to speak with visitors.
Sony Electronics used its first in-person NAB press conference in two years to outline the many areas of production and content delivery where the company is placing much of its emphasis on product development.