TV 2 Denmark wanted to expand its coverage of the nation’s hugely popular live handball matches at the same time reducing the overall cost of the production. Since live event production is resource intensive, to effectively increase its output, the broadcaster sought a solution that would address and eliminate bottlenecks i…
With the emergence of 4K and HDR production, remote production companies and studios have been struggling to make sense of the additional requirements for more cabling (4X more) and native equipment that supports it. Where the highest quality HD signal uses a single 3Gbps SDI cable to connect point A…
Recording high quality sound at noisy outdoor locations can be a real challenge for videographers. Here is some advice on using shotgun microphones to help ensure that location sound is not only useable, but of top quality.
When a significant power increase is not an option, adding Multiple Input Single Output (MISO) diversity offers an attractive path to a stronger signal.
What if a video production could be tailored to each viewer, based on transmitted audio and video essence and data stored in the viewer’s browser? Suppose the browser could receive the content and based on the viewer’s personal data, create an individualized version of the program based on tha…
Moving OTT and IPTV operations onto IP-centric solutions and platforms is both complex and fraught with the chance of error. Survival requires that facility managers and engineers at broadcasters learn to swim in the IP pool. Don’t be afraid to seek help.
For those who began work in the audio industry before the 1980s, the experience of “going digital” is clearly remembered. Many of us questioned everything we knew and wondered whether all the experience we had gained in the analog era would carry forward. Fortunately, in hindsight, that experience paid off and…
John Watkinson looks at how crossover networks don’t work.
In the previous articles, we investigated IP from a broadcast engineers point of view as it helps us understand IP. In this article, we start to look at audio integration, and how we make IP work with audio signals, and the challenges we need to overcome.
As recording has gradually moved away from large studios to small spaces, the difficulty to getting a big “live” sound has become more difficult to achieve. There are, however, some tricks that allow the expansion of small rooms to sound much bigger than ever expected.
