For engineers with a taste for adventure, nothing beats the complex challenge of live recording. On location, anything can happen and often does. It can be a test of one’s wit, preparedness and skill. Here are a few tips on how to be ready for it.
The number of mobile phone video viewers in the United States is expected to reach almost 170 million this year. An additional 10 million may be added by 2020. With such large and increasing audiences, broadcasters are eager to serve these viewers. As streaming live over LTE networks becomes increasingly common, operators that…
Today, as video crews get smaller and are often only one-person, audio inevitably suffers. Many times no one even monitors sound on a location shoot. For proof of this, watch any local newscast and listen to the sound. Of course, bad sound is usually preventable if the videographer takes minimum…
One of the most useful technological advancements for conducting interviews is Skype. Call anywhere in the world and — in most cases — get a clean audio and video feed that can be used on-the-air, in a documentary or on a podcast. A frequent question is how does one record a Skype cal…
I will say it again and again until someone actually listens. This business of capturing high-quality video for broadcast should not be about capturing ever-higher resolution images. At NAB 2018, many of us will be looking at the latest and greatest 8K cameras, which almost assuredly will become (next year maybe?)…
Since the beginning of audio production, engineers have used full-sized headphones and speakers to monitor sound. Then in-ear monitors came along. At first, they were used by musicians on-stage. Now in-ear monitors are so good, many engineers use them for studio monitoring.
Amidst swirling competition and a need for new revenue, radio personalities have expanded their audiences and their reach by installing video cameras in their studios and broadcasting from remote sites related to their genre’s scope. This has been particularly true of sports talk radio shows, which use major sporting a…
For years, I have written about the problems associated with trying to be a one-man band television reporter. Now, shooting alone has become the reality for many journalists. How does one balance so many disciplines at once and still do a good job? Here are our thoughts.
The broadcast industry is on the cusp of a new era with the launch of ATSC 3.0 This flexible platform supports multiple types of encoding, which can result in viewers always getting the best available signal over a variety of reception conditions.
When you turn up the gain on virtually any microphone preamplifier, it sounds noisy. Why is this? Before you blame the amplifier, let’s look more closely at this common phenomenon.
