When mixing any audio program, it is no doubt that a good set of studio monitors in a well-treated acoustic space is the best way to go. But there are times, like at live concerts or sporting events, when the mix has to be done on headphones. Here are some…
We are living in the new era of makeshift audio studios. Fewer and fewer major commercial studios exist today and the ones that do are expensive. Most professional and non-professional audio production is now being done in small scale studios in rooms originally built for other purposes.
As broadcasters aim to deliver superior-quality video content for live news and event coverage, data costs are spiraling out of control. Yet, technological advancements have been made that significantly reduce the bitrates typically associated with broadcasting high-quality video in real time over bonded cellular and the public internet. This article…
At CES 2019 it was announced that several leading display technology manufacturers have formed a new coalition to help promote 8K products to consumers and other commercial industries. The so-called 8K Association (8KA) will work on developing the entire value chain for 8K, with an initial focus on supporting the early…
Gigabit broadband growth is set to confound most predictions and increase almost 10-fold in penetration to reach over 31% of households on average globally over the next five years, compared with 3% to 4% today.
Digital Media: John Watkinson argues that from an information standpoint they are all the same, but completely different in practice.
LiveU’s 2018 ‘State of Live’ report says HEVC now represents 25% of worldwide traffic. In addition to growing HEVC adoption, data also indicates a 55% increase in live transmission hours and emergence of 4K resolution in live broadcasting.
The next move on in mobile communications and broadband connectivity, 5G, is also being held up as potentially a new contribution and distribution technology for broadcasting. BT Sport and mobile operator EE demonstrated the broadcast possibilities for the fifth generation of telecom technology during November with tests of remote production…
Traditionally, most video content teams operated within a well-defined and narrow scope. Also, the tools, data and processes used were siloed within their organizations. But such a solution is no longer sufficient to manage today’s multichannel distribution workflows.
All your chosen hardware is in place and working well. You are hard at work mixing your audio project. But the end result is disappointing. It just doesn’t sound that good. What’s wrong? It may have nothing to do with your gear.
