The set-up saw the stage placed in the centre of the arena with separate LED backwalls and five moveable LED cubes hanging above the stage. Disguise fed the ST 2110 video outputs to the Panasonic Kairos, which was used as a multiviewer. The video output was then sent to the Megapixel Helios LED processor using its newly released 100Gb input module to output to 1,000 square metres of ROE Visual LED. Network distribution was handled by Arista switches, and synchronisation was managed by Brainstorm.

The production team had just 55 seconds to re-set the stage with unique lighting and screen content for each of the 37 acts, designed by Green Wall Designs. Disguise drove video playback across the stage. The set-up also featured a total of 2,168 lighting fixtures, each with their own LED or laser light source, imported into Disguise’s Designer software and pixel mapped and output the content to the LED strips and lighting fixtures across 900 DMX universes.

Disguise worked with the official event supplier, Creative Technology Sweden, to deliver a system comprising eight Disguise GX 3 machines (one Director, three actors and four understudy machines) all equipped with 16 IP-VFC cards. The system was split across two separate red and blue networks for redundancy, with the IP-VFC supporting SMPTE 2022-7 seamless protection switching.

The VFC technology is Disguise’s patented technology that enables users to swap outputs from a Disguise media server with minimal latency to whichever format is required by production. It also ensures that video latency within the video system is kept to a minimum.

Disguise also provided dedicated on-site support during pre-production and critical production phases.