Blackmagic Introduces New Cintel Scanner G3 HDR+

Blackmagic Design has announced the all new Cintel Scanner G3 HDR+, which features a completely redesigned light source that allows real time HDR film scanning in Ultra HD.

The new high intensity LED grid array light source allows customers to get even better quality images from scanned film at much higher film scanning speeds.

For decades, Cintel has been the leader in film scanning technology, and this new scanner advances the art of film scanning even further. The G3 HDR+ features a completely redesigned light source that allows real time HDR film scanning in Ultra HD. The new model also retains the great features of the legacy scanners, such as digital servos, gentle capstan drives, advanced color science, 35mm and 16mm film support and an elegant architectural design that can even be wall mounted. The G3 HDR+ is perfect for unlocking vast archive film libraries for conversion into new Ultra HD masters so they can be uploaded for streaming and online distribution.

The new high intensity light source in Cintel Scanner G3 HDR+ is now 6 times more powerful. The RGB LED grid array illumination source has a square array of 576 high power LEDs arranged into a grid pattern, which are focused onto film using a new light cylinder. This design means that more than twice the silicon area for generating light is available, resulting in more light being directed at the film. There are tens of kilowatts of power contained in each illumination flash to scan a single frame of film. HDR scanning speed is also now up to 3 times faster at full real time speed of 30 frames per second in Ultra HD. The Cintel Scanner G3 HDR+ also features improved color science and up to an additional 3.5 stops of HDR range.

A new film inspection mode allows customers to check the condition of the original film, so they can check if there are any scratches or dust. This new feature is available by simply pressing and holding the stop button. The light source will be adjusted so light becomes focussed in a single direction. This then allows dust and scratches to be seen instantly. The light source can be fully controlled in software, which means the customer gets better control and can check the film before scanning.

You might also like...

Next-Gen 5G Contribution: Part 1 - The Technology Of 5G

5G is a collection of standards that encompass a wide array of different use cases, across the entire spectrum of consumer and commercial users. Here we discuss the aspects of it that apply to live video contribution in broadcast production.

Virtual Production At America’s Premier Film And TV Production School

The School of Cinematic Arts at the University of Southern California (USC) is renowned for its wide range of courses and degrees focused on TV and movie production and all of the sub-categories that relate to both disciplines. Following real-world…

Why AI Won’t Roll Out In Broadcasting As Quickly As You’d Think

We’ve all witnessed its phenomenal growth recently. The question is: how do we manage the process of adopting and adjusting to AI in the broadcasting industry? This article is more about our approach than specific examples of AI integration;…

Designing IP Broadcast Systems: Integrating Cloud Infrastructure

Connecting on-prem broadcast infrastructures to the public cloud leads to a hybrid system which requires reliable secure high value media exchange and delivery.

Shooting Apple TV Series ‘Constellation’ With Cinematographer Markus Förderer

We discuss the challenges of shooting the northern lights in the winter dusk and within the confines of a recreated International Space Station with cinematographer Markus Förderer.