Shotoku Unveiled Its Compact TG-47 Camera Support At NAB

The TG-47 is designed for smaller cameras that need the strength and power of a traditionally larger PT head packed into a compact footprint.

Aimed at mid-sized payloads of up to 48lbs/22kg, the TG-47 combines the size of Shotoku’s TG-27 with the power of its TG-18.  

At its core is the same advanced digital servo systems of the well-established TG-27 providing exceptional on-air performance at a wide range of speeds. As with all Shotoku products, the TG-47 can be optionally supplied with full VR/AR support as well.

The head is ideal for smaller national or regional studios where production values demand the quality and performance of broadcast cameras and lenses, and where a typical 15-17” teleprompter is required. These environments generally don’t require manual pan-bar control or large camera configurations with viewfinders, hand controls and talent monitors. The head can be mounted on a manual pedestal or tripod or used in combination with Shotoku’s TI-11 elevator to create a powerful and highly cost-effective PTZF&H package.

The TG-47 is also a perfect match for Shotoku’s SmartRail ceiling track system – providing a solution for ceiling mounted cameras with track-dolly movement and a long robotic descender column, but still supporting a usefully-sized teleprompter for the presenter’s use. 

The new design allows for easy maintenance with removable lightweight moulded covers providing simpler construction and complete freedom of access to the internal components - as well as an attractive new appearance. The centralized connector panel combines all the necessary network and power connectivity as well as a lens control and general-purpose IO in one convenient place.

“The TG-47 brings benefits to a wide range of applications found in today’s ever-changing studio designs,” says James Eddershaw, CEO of Shotoku USA. “It is perfect for those that demand superior performance from a small unit but won’t compromise on quality.” 

You might also like...

HDR Picture Fundamentals: Brightness

This article describes one of the fundamental principles of broadcast - how humans perceive light, how this relates to the technology we use to capture and display images, and how this relates to HDR & Wide Color Gamut

Virtualization - Part 2

In part one, we saw how virtualization is nothing new and that we rely on it to understand and interact with the world. In this second part, we will see how new developments like the cloud and Video Over IP…

Essential Guide: LED Walls For Virtual Production

This Essential Guide explores the technology of LED wall displays for virtual production. It discusses fundamental requirements and the relationships between the LED wall and the other equipment required for virtual production techniques.

Virtualization - Part 1

As progress marches us resolutely onwards to a future broadcast infrastructure that will almost certainly include of a lot more software running on cloud-based infrastructure, this seems like a good moment to consider the nature of Virtualization.

HDR & WCG For Broadcast: Part 1 - The Fundamentals Of Brightness & Color

Welcome to Part 1 of ‘HDR & WCG For Broadcast’ - a major 9 article exploration of the science and practical applications of all aspects of High Dynamic Range and Wide Color Gamut for broadcast production. Part 1 is a trio of articles…