Lawo Equips MMG’s Flagship UHD1 Truck With Audio-over-IP Technology
Once logged in you can set content preferences to let us know what you are interested in and whether you want to receive email from us.
Already Registered? Login
Media Mobil GmbH, specializing in the production and broadcast of sporting, cultural and entertainment events, has placed Lawo AoIP audio infrastructure at the heart of its new flagship OB van, dubbed “UHD1”.
Lawo equipment onboard includes an mc²56 production console with 48 faders, with three WAN-capable A__stage 64 units serving as internal and external stage boxes, while a Lawo A__madi6 brings in audio from the Riedel system, EVS VIA video server, and the video control room.
The UHD1, a UHD/HDR OB van weighing 15 tons, is 9.50m long and 4.50m wide with the side wall extended, yielding a working production area of around 40m². Even more workspace is housed in the companion set-up truck, which can be used for editing, graphics or as an EVS workstation. A fully redundant MacMini-based QLab audio feed system is directly connected to the A__UHD Core via Merging RAVENNA, so the van can also be used for multitrack recording. The van is equipped with a fully redundant UHD/HD satellite broadcasting system.
“The decision to go with Lawo is no coincidence,” said Robert Hänsel, Managing Director of MMG Leipzig. “We have had good experiences with Lawo over many years, so choosing the audio infrastructure for the UHD1 was not difficult when the options were compared. We looked closely and decided on Lawo again. Important considerations, besides the quality, functionality and reliability of the mc²56, were the compact dimensions of the console and the immense space, weight and energy savings of the A__UHD core.”
The new-generation RAVENNA/AES67-based mc²56, with A__UHD core audio engine, is configured per license to 256 DSP channels. As noted, the console's compact size is ideal for OB van installation; it is optimized for modern IP video production environments and designed for networking in complex production infrastructures, with full native support for SMPTE 2110, AES67 / RAVENNA and MADI audio streams.
Additional mc²56 features perfectly suited to fast-paced OB work are LiveView previews of linked video streams, multi-user, upmix, downmix and optional Lawo KICK, audio-follows-video functionality, integrated 3D/immersive mixing tools, parallel compression and Lawo AutoMix. And with the integration of Waves SoundGrid Extreme, sound engineers have access to a huge sound library.
You might also like...
Future Technologies: Asynchronous Transport
In this first in a series of articles considering technologies of the near future and how they might transform how we think about broadcast, we begin with the potential for asynchronous transport streams.
Next-Gen 5G Contribution: Part 1 - The Technology Of 5G
5G is a collection of standards that encompass a wide array of different use cases, across the entire spectrum of consumer and commercial users. Here we discuss the aspects of it that apply to live video contribution in broadcast production.
Why AI Won’t Roll Out In Broadcasting As Quickly As You’d Think
We’ve all witnessed its phenomenal growth recently. The question is: how do we manage the process of adopting and adjusting to AI in the broadcasting industry? This article is more about our approach than specific examples of AI integration;…
Designing IP Broadcast Systems: Integrating Cloud Infrastructure
Connecting on-prem broadcast infrastructures to the public cloud leads to a hybrid system which requires reliable secure high value media exchange and delivery.
Video Quality: Part 1 - Video Quality Faces New Challenges In Generative AI Era
In this first in a new series about Video Quality, we look at how the continuing proliferation of User Generated Content has brought new challenges for video quality assurance, with AI in turn helping address some of them. But new…