Mo-Sys Launches G30 Gyro-stabilized Head

Mo-Sys Engineering has announced the availability of its ground-breaking G30 gyro-stabilized head. The unique design has been refined using extensive real-world experience resulting in a stabilized head that has the performance of much more expensive systems, but with the usability and ease of setup of much simpler gimbal devices.

Key technologies designed based on early adopter feedback, include:

  • Balance assist – smart axis hold feature for significantly faster set-up of camera payloads
  • Innovative control console - for fast, accurate operation in the heat of production
  • Universal camera cage - to accommodate all practical camera payloads

The goal of Mo-Sys in designing the G30 was to make a gyro-stabilized head that would meet the needs of any broadcast or movie application; simple setup and operation, minimised complexity by negating sliprings and counter-balance weights, and support for the widest range of camera payloads.

At the heart of the G30 is a unique 45˚ frame geometry, large enough to accommodate any camera rig including large ENG cameras and complete digital cinematography camera rigs. The short, stiff frame provides rigidity for camera payloads up to 30kg, with high-torque direct drive motors for smooth, precise movement along with excellent stabilization. The result is a gyro-stabilized head that has complete freedom of pan and tilt in any configuration, along with ±45˚ roll.

“In conversation with early adopters, the feedback was for simpler operation and faster setup,” said Michael Geissler, CEO of Mo-Sys. “In response, we modified elements of the design, such as the frame size, but we also took the opportunity to suggest some smart technologies we were developing. These were well received and so were also implemented into the G30 design”.

“One of these is the balance assist feature which enables an operator to balance each axis in isolation while the remaining two axes hold the camera, significantly reducing the setup time,” Geissler continued. “Another is inertia sensing with pre-sets for various camera packages, along with recallable custom settings for previously used camera packages.” 

You might also like...

The Cinematographers View On The 2024 NAB Show

Our resident cinematographer and all-round imaging expert Phil Rhodes walked the floor at the 2024 NAB Show and this is what he made of it all.

Next-Gen 5G Contribution: Part 1 - The Technology Of 5G

5G is a collection of standards that encompass a wide array of different use cases, across the entire spectrum of consumer and commercial users. Here we discuss the aspects of it that apply to live video contribution in broadcast production.

Virtual Production At America’s Premier Film And TV Production School

The School of Cinematic Arts at the University of Southern California (USC) is renowned for its wide range of courses and degrees focused on TV and movie production and all of the sub-categories that relate to both disciplines. Following real-world…

Why AI Won’t Roll Out In Broadcasting As Quickly As You’d Think

We’ve all witnessed its phenomenal growth recently. The question is: how do we manage the process of adopting and adjusting to AI in the broadcasting industry? This article is more about our approach than specific examples of AI integration;…

Designing IP Broadcast Systems: Integrating Cloud Infrastructure

Connecting on-prem broadcast infrastructures to the public cloud leads to a hybrid system which requires reliable secure high value media exchange and delivery.