Access Sacramento provides community members with the technology and guidance to produce local television programming and content.
The cameras proved critical to the station’s virtual production of Bucheron’s “Anthony Awards”.
A public access station that operates two channels across three cable systems, Access Sacramento offers state-of-the-art equipment and tools through its TV studio, digital media lab and equipment loan program. Among these is a trio of GY-HC900 Connected CAM cameras from JVC Professional Video.
The cameras were selected as part of the station’s final upgrade to full HD, led by TV Pro Gear in Glendale, California. “After nearly 10 years, it was time to step up our game and provide members with a fully integrated service, from cameras straight through to the recording process,” says Gary Martin, executive director of Access Sacramento. “We had originally selected JVC cameras many years ago, at the start of the HD conversion. Now, as we do the full HD build out, we decided to put the latest model JVC cameras into the hands of our members. The JVC GY-HC900 cameras provide a high-quality picture, from shooting to recording; we even implement them for use with our green-screen virtual studio.”
Access Sacramento’s virtual green screen studio, which was previously quite small, also received a facelift as part of the latest upgrade. “When we acquired the new JVC cameras, we realized we could record our virtual reality projects right in the main TV studio,” continues Martin. “To do green screen properly, you have to have a very even background; the lighting has to be smooth and the people have to be well lit and exposed. The JVC cameras create a pristine cut and work so well with our other production technology in creating a clean virtual reality image that we can now do all of that right out of the TV studio.”
The cameras recently played an essential role in Access Sacramento’s virtual production of the Bucheron World Mystery Convention’s “Anthony Awards.” “Due to the COVID-19 crisis, this particular show was very challenging, as we had to have a socially distanced studio and control room,” says Martin. “We also needed to integrate the live studio cameras with breakout rooms for each set of nominees. We had seven awards categories that had five to seven nominees in each, resulting in 37 live feeds coming in via an internet-based, video conferencing stream that was fed into the live broadcast. Using the JVC cameras in conjunction with those feeds, we were able to put all of the nominees on-air at the same time and announce a winner in the live broadcast. It was really special and looked just fantastic; we were extremely pleased with the way it turned out.”
Having already used JVC for the past decade, Martin and his team knew that the brand would be ideal for the station. “We really like the viewfinders, pan-zoom-focus controls and RCU functionality,” adds Martin. “Due to the unique configuration of our control room, we also asked JVC to assist with creating a special mount to hold those three camera controls in a more upright, tilted position, rather than the standard, flat, desktop version; that has worked well for us. The other great part about the new system is that the vectorscope and waveform information are instantly displayed on the engineering screen. With JVC, the overall quality of our productions has substantially risen above members’ expectations. When people think of public access, they think of how things looked in the 90s. Being able to give the public an opportunity to use professional level gear is extremely beneficial and simplified by brands like JVC.”