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Although his company has been doing remote production trials during live events for more than five years, Pierre Maillat, Head of Technical Studies & Architecture at CANAL+ Group, does not like the term. He prefers “distributed production” because he feels it more accurately describes the process for hosting a series of assets and using those assets in any combination you would like to at any given moment in time.
Italy’s large public broadcaster, RAI - Radiotelevisione Italiana, recently upgraded its Broadcast Production Center in Rome with a new control and signal distribution network based on Lawo IP infrastructure solutions.
Actus Digital’s Monitoring platform to assure QoS, QoE and compliance for both broadcast and OTT.
Motion estimation is one of the most important enabling technologies of video compression because it allows redundancy between pictures to be identified even in the presence of motion.
Cyta (Cyprus Telecommunications Authority), a provider of integrated electronic communications in Cyprus, recently installed a low-latency solution for encoding and packaging from Ateme, reducing latency for its premium OTT channels beyond its initial expectations.
Providing an immersive video experience for fans while not detracting from the on-field action on game days is the ultimate goal.
Large-scale remote production systems can be complex and challenging to monitor, but IP presents many opportunities to capture and make use of rich data streams.
While the business side of streaming has a host of terms that can confuse, the same can be said of the technology side. Sometimes the confusion stems from a lack of definition or an overuse of a term from so many different use cases that its meaning is lost. Sometimes the confusion stems from the proliferation of terms that reflect the natural and necessary evolution of the industry, but which leaves even the most seasoned members of the industry feeling like it’s time to study again.
