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HDR is taking the broadcasting world by storm. The combination of a greater dynamic range and wider color gamut is delivering images that truly bring the immersive experience to home viewers. Vibrant colors and detailed specular highlights build a kind of realism into broadcast productions that our predecessors could only have ever dreamed of.
Errors are handled in real channels by a combination of techniques and it is the overall result that matters. This means that different media and channels can have completely different approaches to the problem, yet still deliver reliable data.
The European Broadcasting Union (EBU) has declared satisfaction with the outcome of the latest World Radiocommunication Conference 2019 (WRC-19), but is concerned over indications that spectrum currently allocated to Direct Broadcast Satellite (DBS) might be handed over to fixed wireless broadband providers after 2027.
As the world prepares for 2020, broadcasters, video content creators and providers grapple with new formats and distribution models, and what it takes to test and maintain them.
Hackers are always improving the level of sophistication and constantly finding new surface areas to attack – resulting in the surging volume and frequency of cyberattacks.
An engineering assessment of broadcast TV T&M needs and solutions in late 2019 suggests the new decade will bring more needs and solutions. A revelation such as this was once news.
Media content piracy declined by an average 15% across Europe during 2018 according to the European Union (EU) Intellectual Property Office (EUIPO), contradicting the popular notion that the problem is getting out of hand in the streaming era.
The rg color space served to document the chromaticity gamut of the HVS, and so was a great step forward in understanding color and color vision. However, it was based on a certain set of primaries. As no set of primaries can embrace the whole of the HVS gamut, it is inevitable that the color matching functions have negative excursions. The CIE set out to remedy that by taking the color matching experimental data and representing it in a different way. The color space they developed is a cube having three orthogonal axes, X, Y and Z. The white point was defined as the equal energy point, otherwise known as Illuminant E (for equal).
