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While cloud computing and storage have reimagined how remote workflows are implemented, they can also play a huge role in business continuity and even disaster recovery. As many major productions have already proven, the key to continued success is extending traditional on-premise workflows into the cloud.
ABR segments are transferred conventionally using HTTP/1.0 transfers, where the client requests the whole segment and it is transferred using store-and-forward transfers, where all the data belonging to the transfer is buffered before sending. In order to start the transfer, the size of the segment needs to be known.
As the media landscape continues to streamline the way it delivers content, cloud-native technology, that is, container-based virtualized environments that replicate traditional workflows on premise, is playing a big role. However, some broadcasters moving their assets and processing power to the cloud are performing a simple “forklift,” which is often not sufficient to address the types of complex signal processing and infrastructure flexibility required.
With the emergence of the cloud into the media production and delivery space, the broadcast and media industry must embrace an entirely new approach to acquiring and deploying technology. Large capital expenditures (CapEx) are increasingly being replaced by operating expense (OpEx) budgets that are more flexible and aligned with the operational requirements of broadcast facilities.
ABR delivery offers the prospect of automatic adaptation of bit rates to the prevailing network conditions. Since the client is aware of the set of available bit rates, it can determine, segment-by-segment, which is the optimal bit rate to use.
The IEEE has just published the latest version of its Precision Time Protocol (PTP) standard that provides precise synchronization of clocks in packet-based networked systems. This article explains the significance of IEEE 1588-2019, otherwise known as PTPv2.1, and how it differs from previous versions including updates to the isolation of profiles, monitoring and security.
It seems almost superfluous today to specify that audio is digital because most audio capture, production and distribution today is done numerically. This was not always the case and at one time audio was primarily done without the help of numbers and the term digital audio was introduced to distinguish the new technology from what went before.
Here we look at some of the origins of gamma in imaging and move on to introduce the peculiar characteristics of the cathode ray tube.
