For those production professionals looking for an easy way to integrate intercom signals within a Dante-based AoIP infrastructure, Clear-Com has a new Dante interface card (called the E-Dante64-HX) for the Clear-Com Eclipse-HX matrix system.
In the previous Cloud Broadcasting article, we looked at Agile software development and its relevance to cloud computing. In this article, we delve further into Cloud-Born systems and investigate the differences between public and private clouds and where you might want to use them.
TASCAM said it is proud to announce a new cassette recorder/player for the professional audio market. That’s right, a new cassette recorder/player in 2017! It’s called the CD-A580 and it’s a CD, USB and Cassette Player/recorder that also serves as a feature-rich, multi-platform playback unit.
In the previous Cloud Broadcasting article, we took a very brief look at cloud security and its advantages over traditional datacentre systems. In this article, we delve further into Cloud Born systems and investigate the new requirements for software development and upgrades in broadcast software services.
Game Creek Video will use its three-unit Encore mobile production facility — interconnected by Evertz Microsystem’s large scale IP routing system — for FOX Sports domestic broadcast of the 2017 Super Bowl game.
In the last article on Cloud Broadcasting we looked at reliability and the client-server model in Amazon Web Services high availability zones. In this article, we look more at cloud security, a very emotive word in the IT community.
In the last article on Cloud Broadcasting we looked at the concept of “Cloud Washed” and “Cloud Born” and the considerations vendors must look at when delivering true cloud systems. In this article, we look more at resilience and cloud system up time.
Implementation of software in public clouds might not be as straightforward as it seems. Outdated software licensing models restrict one of the fundamental advantages of cloud systems, that is their ability to grow and shrink as the dynamics of the business demands, sometimes by the hour.
Audio is often a step-child when it comes to both video production and live broadcasts. Even so, there are new solutions that improve both the audio quality and ease of installation. First solution is to install an IP for audio system to maximize both quality and flexibility. Second, consider the
Cable TV Hong Kong, the country’s largest provider of cable television services, has gone live with a 40-fader Calrec Audio Artemis digital audio console at its recently upgraded News Studio 3. This is the fifth Artemis desk installed at the network in the last four years, further strengthening its high-quality
In the last article, we looked at the monitoring packet delay in real-time. In this article, we continue the theme of looking at a network from a broadcast engineers’ point of view so they can better communicate with the IT department, and look at FEC (Forward Error Correction).