As the 2022 NAB Show approaches, leading TV bonded cellular manufacturers reveal what can be seen in their exhibits and the direction bonded cellular TV news and sports transport is headed.
With increasing regularity, digital cinema cameras like Sony’s VENICE and RED’s KOMODO cameras are making their way onto the fields of major live sporting events and into multi-camera video coverage to create a “cinematic” look that enhances the viewing experience.
ENG and EFP cameras continue improving and adding IP features as the industry continues its transition to more remote operation.
In digital television broadcasting, what matters is that the pictures should be displayed at the correct frame rate and lip-sync should be achieved in an isochronous system.
Cooking has long been a popular subject for television, partly because everyone has to eat, but also because it’s the sort of programming that can, in principle, be turned out of a studio in half-hour chunks, several times a day.
The Fourier transform is one of the most enduring and looking at the basics is a good place to start.
Using lessons learned from its bubble experience during the 2020 pandemic season, the National Basketball Association (NBA) continues to reimagine how it broadcasts games to its viewers while also carefully returning to traditional production workflows that have served its TV coverage well. However, there’s no doubt that various REMI methods are allowing teams to produce NBA content with fewer production personnel and fewer technical assets located onsite.
“If you can’t stand the heat, get out of the kitchen,” U.S. president Harry S. Truman famously said. But when there’s a cooking show to produce, audio engineers have no alternative but to improvise.
